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Category: Festival

Neal Adelman Interviewed by us about his play in the Seabury Quinn Playfest!

  • April 10, 2015
  • by catherineforever666
  • · Current Students · Festival · News

Hey y’all!  Who is getting excited for the Seabury Quinn Playfest this April!!  Next up in the  interview series is one of everyone’s favorite OU Third Year Playwrights, Neal Adelman!  Neal has become well known in the playwriting program for his hilarious and unique language, his crazy madnesses and his way cool demeanor!  Read my full interview with him below and learn more about him and his awesome new play that will be featured in a production at Seabury Quinn, Only Good Things Happen at The Fair.

Your play “Only Good Things Happen at the Fair” started as a proposal for the Trisolini Award, which you then won. Can you talk about your proposal and things your initial ideas for this play?

Well, it’s complicated. The initial push for the play came a year ago from the coupling of some local headlines about a Sheriff who was recently found to have misbehaved and my  own personal experience with members of the law enforcement community when I was growing up in Texas. But, it has evolved a great deal since then and—in so much as characters and story are concerned—it bears many similarities to a short story I started writing about six years ago, but could never quite get a handle on. And the title came from a certain conversation I had about eight years ago when I asked a girl if she wanted to go to the Southwest New Mexico State Fair with me. She said: no, and in a last ditch effort to convince her otherwise, I said: only good things happen at the fair, and I knew it was a terrible lie and that I was going to have to write about it some day.

Which artists (writers,playwrights etc.) do you look up to?

So many. Okay. Here goes. Wait. I’m going to break them into sub-headings not cause I’m hot shit, but cause if anyone reads this and feels compelled to check these writers out, I want them to be able to find them at the book store. Is that cool? Okay. Fiction: Barry Hannah, Ed Jones, Larry McMurtry, Amy Hempel, and Cormac McCarthy. Playwrights: Sam Shepard, Harold Pinter, and my mentor, Mark Medoff. And, my favorite songwriters are: Townes Van Zandt, the Boss, and Lightning Hopkins. Cause songwriters are important too. People listen on average to over a hundred songs a day and if you think that shit doesn’t accumulate and affect your writing, you’re crazy.

If your play took me on a date, what exactly would the date be like?  Would I enjoy it?

Well, first my play would come pick you up in his Camaro. Not a new Camaro, but probably a ’78 or ’79 with a tuned up 350 underneath and a t-top. And as soon as you get in the car, just so you won’t be intimidated by the glass packs or Humble Pie kicking through the stereo, my play will tell you that if you need to pick your nose, it’s cool if you just wipe your buggers on the floor mat. And then, we’re going to the Dairy Queen, cause it’s summer, and cause this is Texas, and cause we’re gonna need a Butterfinger Blizzard to cool off. And where are we going? Well, if the fair’s in town, we’re going to the fair, cause my play loves the fair, but if the fair isn’t in town, then we’ll probably drive the dirt roads and then park somewhere out by the lake and watch the fire-flies dance over the water and maybe drink a couple beers and, yeah, you’d enjoy it, cause even though you don’t like Camaros and you think Dairy Queen is for old men in suspenders, and you went to college but my play never did, you’d still enjoy it, cause underneath the Humble Pie and glass-packs, there’s an innocence and sincerity to my play you want to be around. That said, I doubt you two would go out a second time. If he called. And he will.

What is a fun fact most people don’t know about you?

I’m a pretty good dancer.

You’ve read about and now have a majorrr crush on Neal!  Now Come check out theproduction of his play “Only Good Things Happen At The Fair” at the 21st Annual Seabury Quinn PlayFest: Here are the times you can catch it:

8:00 pm – April 16th, 17th & 22nd;
2:00 pm – April 25th, Elizabeth Baker Theater, Kantner Hall

Here is the blurb for it:

Sheriff Lonnie Murdock knows that the facts are only ten percent of the truth and the truth is: his son needs to get off his skinny ass and go to the fair. I mean: it’s tradition. But Jason can’t cause he’s a bad man and he knows it, no matter what Heather Ann has to say. Only Good Things Happen at the Fair is a play about the inheritance of masculinity and poorly taxidermied animals.

More about Neal

Neal Adelman was born and raised in Fort Worth, Texas. He writes plays and short stories. His one act play TARRANT COUNTY received an NPP workshop and was a 2014 KCACTF John Cauble Outstanding Short Play National Finalist; his fiction has appeared in Puerto del Sol and Caldera Culture Review. When he’s not writing, he’s either fishing or trying to start a rock and roll band. He currently lives in southeast Ohio and studies dramatic writing at Ohio University.

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Bianca Sams play reading at Nashville Rep this May!

  • April 8, 2015
  • by catherineforever666
  • · alumni · Festival · News

Recent graduate, Bianca Sams, has a new play Simply Bess having a reading at Nashville Repertory Theater this May!

Nashville Rep describes the play:

Simply Bess follows a young African American actress trying to make a name for herself. We see her backstage trials and tribulations on the 1950s European tour of Porgy and Bess, sponsored by the States Department as a way to combat communist propaganda about American racial problems.

Read a fun promo interview with her taken by Nashville Rep

Excerpt from website:

As we gear up for our annual Ingram New Works Festival (happening May 6-16, don’t miss it!), we want to introduce you to our three 2014-15 Lab Playwrights: Bianca Sams, Gabrielle Sinclair and Tori Keenan-Zelt. Since October, our lab playwrights have gathered here in Nashville each month with our Resident Playwright Nate Eppler to create, critique, read and write… and rewrite. Mainly to rewrite.

And now the final product is almost here! Their months of hard work will be realized with our fabulous Nashville actors giving staged readings of their new plays for you, our wonderful audience. So before you come to the Festival, we want you to get to know our 2014-15 Lab Playwrights.

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Jeffrey Chastang Interviewed by us about his play in the Seabury Quinn Playfest!

  • April 5, 2015
  • by catherineforever666
  • · Current Students · Festival · News

Hey y’all! Who is getting excited for the Seabury Quinn Playfest this April!!! Next in our interview series is the Third Year playwright, Jeffrey Chastang! Jeff has become well known in the playwriting program for his soulful madnesses, his love for desser  and of course his fascinating and intriguing character relationships in his plays! Read my full interview with him below and learn more about him and his awesome new play that will be featured in the Seabury Quinn as a mainstage production, DAUPHIN ISLAND.

In Dauphin Island, both lead characters seem to be loners/outsiders, are you usually drawn to writing characters that are outside the norm?

Yes I am.  I feel the same way myself sometimes.  LOL.

If your play had to have a soundtrack, what are some of the songs you think would be on it and why?

Reach Out, I’ll Be There (Four Tops), Under The Moon And Over The Sky (Angela Bofill),  A Natural Woman (Aretha Franklin), A Fork In The Road (Smokey Robinson & the Miracles), Off Shore (Ray Bryant), City, Country, City (WAR).  These are songs with a lot of depth and feeling with the themes of loss, desperation and discovery.  Also, they’re songs Selwyn, Kendra and I grew up with.

Who are some of the playwrights who have influenced your writing? 

Definitely August Wilson, Eugene O’Neill, Tennessee Williams, Alice Childress and Edward Albee.

What is a fun fact most people don’t know about you?

I’m a film noir and detective movie fanatic!  The Thin Man (1934), The Maltese Falcon (1941), Out Of The Past (1947), Cotton Comes to Harlem (1970) and Shaft (1971) are some of my favorite flicks.  Never ask me about music and movies, I won’t shut up!  LOL.

You’ve read about and now fallen in love with JEFF and want to be him! Now Come check out the production for his play DAUPHIN ISLAND at the 21st Annual Seabury Quinn PlayFest: Forum Theater, April 15th, 23rd & 24th at 8:00pm. April 18th at 2:00pm
Here is the blurb for it:

Suspicion and fascination dovetail when en route from Detroit to a new job on Dauphin Island Selwyn Tate interrupts the self-imposed isolation of Kendra in the Alabama piney woods.   DAUPHIN ISLAND dramatizes the risks involved when two displaced souls intertwine.

More about Jeff

Michigan-born Jeffry Chastang was the recipient of the Kennedy Center Roger L. Stevens Award for his first play FULL CIRCLE, which was produced by Detroit’s Plowshares Theater Company.  Plowshares also produced his second play …CONTINUED WARM, which was named Best New Play by the Oakland Press.  He was commissioned by the Alabama Shakespeare Festival (ASF) to write BLOOD DIVIDED, a play marking the sesquicentennial of the Civil War in Montgomery, Alabama.  BLOOD DIVIDED also received an Edgerton Foundation New Plays Award.  Jeffry’s play PREPARATIONS was developed in ASF’s Southern Writers Project.  As an actor his professional credits include FENCES, THE OLD SETTLER and A SOLDIER’S PLAY.

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Mentors Announced for the Seabury Quinn Playwrights Fest!

  • March 24, 2015
  • by catherineforever666
  • · alumni · Events · Festival · News

We are proud to announce that The Visiting Mentors for the 2015 OHIO UNIVERSITY SEABURY QUINN, JR. PLAYWRIGHT’S FESTIVAL are: Steppenwolf’s Literary Manager and OU MFA Playwriting alum, Aaron Carter, Director of the Apprentice Company at Actors Theater of Louisville, Michael Legg and Executive Director of Indiana Repertory Theater, Janet Allen.

The festival will run April 23rd to the 25th.

Full Bios below:

Michael LeggMichael Legg is in his eighth season as Director of the Apprentice/Intern Company at Actors Theatre of Louisville, where he¹s directed world-premieres of plays by A. Rey Pamatmat, Laura Jacqmin, Dan Dietz, Kyle John Schmidt, Marco Ramirez, Carmen Herlihy, Alison Moore, and many others. Before coming to Actors, he spent three years as a theatrical agent in New York and his former clients can still be seen on Broadway, in television/film, and in regional theatres across the country. Prior to his time in New York, he spent seven years teaching and directing and has recently served as a guest artist at several universities, including the University of Central Florida, the University of Idaho, and Ohio University.  He also serves as the Artistic Director of the Wildwind Performance Lab in Texas and has taught for and worked extensively with the Kennedy Center/American College Theatre Festival. He holds an M.F.A. in acting from the University of North Carolina at Greensboro and is a proud member of Actors Equity.

janet allenJanet Allen is currently the Executive Director of Indiana Repertory Theater.  Creating world-class professional theatre for Central Indiana audiences of all ages has remained a career-long passion for Janet Allen.  She began at the IRT in 1980 as the theatre’s first literary manager–dramaturg. After four years in New York City, she returned to serve ten years as associate artistic director under mentors Tom Haas and Libby Appel. She was named the IRT’s fourth artistic director in 1996.  Janet studied theatre at Illinois State University, Indiana University, and Exeter College, Oxford. As a classical theatre specialist, she has published and taught theatre history and dramaturgy at IUPUI and Butler. Janet’s leadership skills and community service have been recognized by Indianapolis Business Journal’s “40 Under 40” Award, the Network of Women in Business–IBJ’s “Influential Women in Business” Award, Safeco’s Beacon of Light in Our Community Award, a Distinguished Hoosier Award conferred iby Governor Frank O’Bannon, Girls Inc.’s Touchstone Award for Arts Leadership, and the Indiana Commission on Women’s “Keeper of the Light” Torchbearer Award.

Aaron CarterAaron Carter is currently the director of new play development at Steppenwolf Theater Company where he has served as dramaturg on such projects as The Way West by Mona Mansour, and Airline Highway by Lisa D’Amour. Previously, he served as the Literary Manager at Victory Gardens Theater where he played a key role in the IGNITION Festival, and was involved in the production of The Elaborate Entrance of Chad Deity, Year Zero, Love Person and Living Green, among others. As a new play developer and dramaturg, Aaron has worked with many theaters and labs including WordBRIDGE, the Kennedy Center, Timeline Theater, Route 66 and Chicago Dramatists. Aaron also teaches courses in playwriting, dramaturgy and dramatic literature at Northwestern University, De Paul University, Roosevelt University and Grinnell College. As a playwright, Aaron’s work focuses on race, faith and obscure performance skills. Aaron’s play Gospel of Franklin was part of First Look 2013 at Steppenwolf. His latest play is Start Fair.

For more Info on the 2015 Seabury Quinn Jr. Playwrights Festival, Click here

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Dates Announced for the Seabury Quinn Jr Playwrights Festival

  • March 23, 2015
  • by catherineforever666
  • · Current Students · Festival · News

The dates and times for the 2015 Annual Seabury Quinn Jr Playwrights Festival are now posted on the website!  Included in the lineup are full productions of “Only Good Things Happen at the Fair” by Neal Adelman and “Dauphin Island” by Jeffrey Chastang, as well as 6 readings.  The festival runs April 23rd to the 25th, 2015 in Kantner Hall on the campus of Ohio University.

Readings featured in the festival include “Fools Gold” by Morgan Patton, “Random House” by Aaron Johnson, “Bait Shop” by Ryan Patrick Dolan, “ChocolateSexPuppyTacos (A Non-Denominational Comedy)” by Tyler Whidden, “Karate Hottie” by Catherine Weingarten, and “Tight End” by Rachel Bykowski.

Click here for the full schedule. And click here read more about this year’s festival mentors!

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Ryan Patrick Dolan’s 10-minute play “DADDY’S LITTLE GIRLS” is a National Semi-Finalist at KCACTF!

  • January 7, 2015
  • by catherineforever666
  • · 10-minute plays · Awards · Current Students · Festival · News

Ryan Patrick Dolan’s 10-minute play DADDY’S LITTLE GIRLS was one of six ten-minutes plays selected for Region 2 of the prestigious Kennedy Center American College Theater Festival in Cleveland Jan 2-6. Two of those six went on to be named a National Semifinalist; including Dolan’s (MFA 2016).

Each of the plays was given a reading after being assigned and a director and cast their plays from the acting students from the region participating in the festival.  His director was David A. Miller from Bloomsburg University. Two of the six plays got picked as National Semi-Finalists for the KCACTF 10-minute play festival. DADDY’S LITTLE GIRLS was one of two selected as a National Semi-Finalist. There will be 16 semi-finalists from 8 regions. Four of those will be chosen to go to Washington, DC in April.

DADDY’S LITTLE GIRLS originally appeared in a Madness produced by Tyler Whidden (’16) earlier in the year as part of “Coffin Block” Madness; where each playwright had to use a coffin block in an unexpected way.  In his second year in the program, Ryan has experimented widely with his madnesses including movement pieces inspired by large scale paintings to raunchy-real comedies about men looking for connection.  “Daddy’s Little Girls” is a hilarious, sexy, painful dark comedy about young girls coping and we are excited to see it be recognized!  Congrats Ryan!

To learn more about madness click here.

*Note: The photo is Ryan Patrick Dolan (left) with his cast from the festival.

More about Ryan Patrick Dolan

Ryan Patrick Dolan is a second year MFA Candidate in the Ohio University Playwriting Program under Charles Smith and Erik Ramsey. He has a B.A. in playwriting from Columbia College Chicago where he studied under playwright, Lisa Schlesinger. He writes dark, comedic plays that explore love and loss, passion and destruction. Stylistically influenced by his years of improvisation, acting, and the Chicago Storefront aesthetic, he challenges the American stereotypes of gender, race, and sexuality.

Dolan produced four one-act plays written by three other Ohio University playwrights and himself called “10-4: The Truck Stop Plays.” Dolan’s one-act “Burger King,” was directed by Ashley Neal. His full-length play,“Moraine,” had a reading at the 2014 Seabury Quinn Jr. Playwrights Festival at Ohio University, and at the Trellis Reading Series at the Greenhouse Theater Center. Ryan’s play “The Peace of Westphalia” was awarded the first-ever workshop production in the playwriting program at Columbia College. His ten-minute plays have been produced by American Theater Company, and Brown Couch Theater. Ryan was the dramaturg at RedTwist theater for Kimberly Senior’s production of “The Pillowman,” and Keira Fromm’s production of “The Lobby Hero.” Both were nominated for Jeff Awards for “Best Play” and “Best Director.” Ryan is also a 12-year veteran of the Chicago improv scene. He has primarily improvised at iO and Annoyance Theaters, but also has performed and taught workshops at numerous festivals and universities around the country with his groups Revolver and Pudding-Thank-You. He also teaches workshops to Ohio University’s improv group, “Black Sheep.” His acting credits include productions at Steppenwolf Theater’s “Next Up” series, TimeLine Theater, Collaboraction, Strawdog, and Wildclaw Theater. http://ryanpatrickdolan.com/

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Alum Bianca Sams Finalist for Playwright Foundation “Bay Area Playwrights Festival.”

  • July 7, 2014
  • by rpdolan
  • · alumni · Awards · Festival

bianca samsBianca Sams (MFA ’14) was named a finalist at the Playwright Foundation “Bay Area Playwrights Festival” for her play BATTLE CRY. There were 20 finalists out of 500 submissions.

From their site: “The Bay Area Playwrights Festival supports the development of six full-length plays annually: five selected from our annual open submission process to reflect the outstanding quality, diversity, and daring for which the Festival is known, and the sixth play a Producing Partnership that offers developmental resources to a play advancing toward production.”

SYNOPSIS: BATTLE CRY is inspired by the life and travails of an unsung hero in the Black Civil Rights Movement named Claudette Colvin. At 15, Claudette refused to give up her seat on a Montgomery bus 9 months prior to Rosa Parks’ arrest. BATTLE CRY tells the personal story of a naïve but passionate 15-year-old girl whose impact on the world has been left out of history books. The play looks at issues of class, ethnicity, and behind the scenes politics in the fight for Civil Rights in America while also highlighting Claudette’s personal courage in the face of injustice.

DEVELOPMENT HISTORY/AWARDS FOR BATTLE CRY:
Ohio University MFA Workshop (3x)
Seabury Quinn Festival of New Plays – Staged Reading
Tides Theater SF as part of DGA Footlights reading Series
Marrietta University Black History Month Event – Staged Reading

AWARD HISTORY
Kennedy Center ACTF – Lorraine Hansberry Award (2nd pl) and Rosa Parks Award (2nd pl)
ATHE – Jane Chambers Student Playwright Award (2nd pl)
The Playwright Foundation – Bay Area Playwright Festival (finalist)

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Tyler Whidden (MFA ’16) Finalist in Actor’s Theatre of Charlotte Festival

  • July 1, 2014
  • by rpdolan
  • · Awards · Current Students · Festival · News
Tyler Whidden MFA '16
Tyler Whidden MFA ’16

Tyler Whidden’s play, DANCING WITH NED, was named a finalist for the 3rd Annual nuVoices Festival at the Actor’s Theatre of Charlotte Festival. Tyler’s play was one of 13 chosen.

From ATCharlotte’s website: “Each play selected for the festival will get two script in hand staged readings, with assigned directors, dramaturgs, and actors.  Each playwright selected will be brought to Charlotte and provided housing for the duration of the rehearsal process.  They will be included in the entire week of rehearsals and will also receive $500 honorarium.  The winning play will then be invited to have a full production mounted during Actor’s Theatre of Charlotte’s 2015-2016 season.”

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Festival!

  • April 26, 2014
  • by Erik Ramsey
  • · Festival · News

Your last chance to catch a festival play is today at 1:00, 2:00, 4:00 or 8:00 pm. Check the festival page for details. It has been a rip-roarin’ good time.

pizza-hut-egypt-downs
Great pyramid as seen from inside nearby Pizza Hut. Photo by William Missouri Downs.

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MFA ’15 Neal Adelman: KCATCF National Finalist for Outstanding Short Play

  • March 18, 2014
  • by rpdolan
  • · Awards · Festival · News

Neal Adelman, second year MFA playwright, has been named a National Finalist of the John Cauble Award for Outstanding Short Play for this year’s Kennedy Center American Theater College Festival. His play TARRANT COUNTY is one of three plays nominated.

The festival is April 14th through April 19th at the Kennedy Center in Washington, D.C.

Started in 1969 by Roger L. Stevens, the Kennedy Center’s founding chairman, the Kennedy Center American College Theater (KCACTF) is a national theater program involving 18,000 students from colleges and universities nationwide which has served as a catalyst in improving the quality of college theater in the United States. The KCACTF has grown into a network of more than 600 academic institutions throughout the country, where theater departments and student artists showcase their work and receive outside assessment by KCACTF respondents.

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