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Category: Chicago

Spotlight On: Skye Robinson Hillis (OU MFA ’21)

  • April 13, 2021
  • by Erik Ramsey
  • · Chicago · Current Students · Events · Festival · News · Productions · Seabury Quinn, Jr.

As we begin the 27th Annual Seabury Quinn, Jr. Playwrights’ Festival, we’ll be giving the spotlight to our third-year MFA playwrights. Third-year writers graduate soon after their thesis productions headline the festival.

by Steven Strafford 

Skye Robinson Hillis is good with words. Whether it be in her plays, or a well-crafted joke over Zoom chat or text message, she knows how to string the words together for great effect. (Often making the writer of this article laugh out loud. And a personal side note: Skye was extremely helpful to me in my adjusting to life in Athens. She always made time for my questions. I am grateful for the care she showed for me. I will miss her jokes and insightful help on my work.) 

Skye’s play, The Martha Mitchell Effect is one of our two featured productions this year.

We thought it might be fun to let Skye, in her own words, answer a few questions in interview format for her spotlight piece.

Here is that interview:

Where are you from? What parts of “home” show up in your writing?

Born and raised outside Boston, but also partially raised in southeastern Pennsylvania, and after moving there in 2008 for school, I now consider Chicago home. Basically zero parts of home show up in my writing because I usually prefer to write outside my own personal experience.

What first made you want to write plays? 

Dialogue. I tried to be a screenwriting major for a while in undergrad until I learned that nobody cares what your characters have to say in film, only what they do and how it looks. 

What is it you hope people leave the theater thinking about with your work and/or specifically this play?

Who are your inspirations? Playwrights? Other writers? 

Noel Coward, Edward Albee, Lillian Hellman, Pinter, Tracy Letts, Sarah Ruhl.

What’s a favorite theatrical moment for you as an audience member? A moment that stays with you?

All of the Goodman’s Camino Real directed by Calixto Bieto.

What was the inspiration for your featured play this year?

About two years ago I was listening to the Slow Burn podcast, the first season of which is about Watergate, which is where I learned about Martha Mitchell. I’ve been low-key obsessed with the notion of gaslighting for years and especially the gaslighting of woman of note, so from that point on I couldn’t stop thinking about her. This led to a women of Watergate rabbit hole that I still have not climbed out of. 

Skye’s bio: 

Skye Robinson Hillis (she/her) is a playwright/director/teacher/dramaturg based in Chicago. A two time semi-finalist for the Princess Grace Award, her work has been seen at the Kennedy Center’s ACTF, Creede Repertory, The Route 66 Theatre Company, Chicago Dramatists, A Red Orchid Theatre, Piven Theatre Workshop, Artistic Home, Columbia College, and the City of Chicago’s In the Works Play Lab at the Pritzker Pavillion in Millenium Park. Her play AND VASTER was awarded a residency at the New Works Lab at Stratford in 2015, winner of the 2015 Ashland New Plays Festival, and winner of the Holland New Voices Award at the Great Plains Theatre Conference in 2017. As a director/dramaturg, she has worked for Hartford Stage, Goodman Theatre, Court Theatre, A Red Orchid, Remy Bumppo, Stage Left, and more. Her other plays include BURY THE REST, ESCAPE VELOCITY, THE ORDINARINESS OF EVERYTHING ELSE, THE RUNNING MATE, INTO PLACE, and SELFISH.

The Martha Mitchell Effect: In his infamous interview with David Frost, Richard Nixon said that “without Martha Mitchell, there would be no Watergate.” And yet the name Martha Mitchell, once ubiquitous, has faded into the background of history. Bringing her story to the forefront, The Martha Mitchell Effect illustrates the world of the courageous women involved in breaking the Watergate scandal and explores their lasting impact on this country today.

Reserve tickets now for this streaming production at The Martha Mitchell Effect website for April 16, 17, 22, 24. And be sure to check out the full slate of new MFA plays streaming during the festival here.

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Skye Robinson Hillis’ play AND VASTER, now available at Play4Keeps

  • March 26, 2019
  • by Erik Ramsey
  • · Chicago · News · Productions

Check out 1st Year playwright Skye Robinson Hillis’ full-length play AND VASTER, now available as a recording through Play4Keeps, an off-shoot of the venerable Ashland New Plays Festival! Listen right here, and discover what Play4Keeps is all about.

_MG_4237Skye Robinson Hillis is a playwright, director, and dramaturg in based Chicago. As a playwright, her work has been seen at The Route 66 Theatre Company, Chicago Dramatists, A Red Orchid Theatre, Piven Theatre Workshop, Artistic Home, Prologue Theatre Company, Polarity Ensemble Theatre, Columbia College, and the City of Chicago’s In the Works Play Lab at the Pritzker Pavillion in Millenium Park. Her play AND VASTER was awarded a residency at the New Works Lab at Stratford (2015), winner of the Ashland New Plays Festival (2015), and winner of the Holland New Voices Award at the Great Plains Theatre Conference (2017). AND VASTER was also named a semi-finalist for The Princess Grace Award. As a director and dramaturg, she has worked for Hartford Stage, Goodman Theatre, Court Theatre, A Red Orchid, Remy Bumppo, Stage Left, and more.

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American Theatre: Charles Smith and his long-time friend & collaborator Chuck Smith

  • March 1, 2019
  • by Erik Ramsey
  • · Chicago · Faculty · News

Check out this piece in American Theatre  by OHIO alum Jerald Raymond Pierce about our own Charles Smith and his long-time friend and collaborator Chuck Smith. Apparently Chicago is big enough to feature two award-winning theater professionals named Smith, Charles, yet also small enough that it isn’t often that one is confused for the other… Just one of the many things that makes Chicago unique as a theatre town: Chuck Smith, Charles Smith, and a South Side Friendship.


Charles Smith’s plays have been produced Off-Broadway and nationally by theaters such as Indiana Repertory Theatre, Goodman Theatre, New Federal Theatre, The Acting Company, People’s Light & Theatre Company, Penumbra, Crossroads Theatre Company, Penguin Repertory Theatre, Ujima Theatre Company, The Colony Theatre, St. Louis Black Rep, Seattle Repertory Theatre, Jubilee Theatre, Ensemble Theatre in Houston, Robey Theatre Company, and Berkeley Repertory Theater. His most recent play, Objects in the Mirror, received a developmental production at Goodman Theatre in 2016 and returned as part of the 2016-17 season. (Listen to a discussion of the play on NPR’s Weekend Edition.) His play, Black Star Line, was commissioned by and also produced by Goodman. Nine of his plays received their world premiere productions at Victory Gardens Theatre in Chicago. Three of his plays, The Gospel According to James, Sister Carrie, and Les Trois Dumas, were all commissioned and produced by Indiana Repertory Theatre. Les Trois Dumas was also produced by People’s Light & Theatre, and by Independent Theatre in Adelaide, South Australia. His play Pudd’nhead Wilson, commissioned and produced by The Acting Company, enjoyed a twenty-two city national tour before being produced Off-Broadway. His plays Takundaand City of Gold enjoyed tours of the west coast. His work has also been produced for the HBO New Writers Project, the International Children’s Theater Festival in Seattle, and The National Black Theatre Festival. He is author of two Emmy Award-winning teleplays, Fast Break to Gloryand Pequito. His other plays include, Freefall, The Sutherland, Jelly Belly, Young Richard, Cane, and Free Man of Color, which was also produced in Australia, New York, Los Angeles, and around the United States after receiving a Joseph Jefferson Award. He has received the John W. Schmid Award for Outstanding New Work, two Ohio Arts Council Individual Excellence Awards, an Illinois Arts Council Governors Award, Princess Grace Fellowship, the Cornerstone National Playwriting Award, the Joyce Award, The National Black Theatre Festival’s August Wilson Playwriting Award, the Theodore Ward National Playwriting Award, two Black Theatre Alliance Awards for New Work, the NBC New Voices Award, and numerous other AUDELCO, Jeff, NAACP, and Black Theatre Alliance award nominations. For more information about his plays, visit http://www.csplays.com.

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Sarah Bowden’s play “Tin Noses” featured at the Chicago Theater Marathon this month!

  • July 3, 2017
  • by catherineforever666
  • · Chicago · Events · News

OU Alum Sarah Bowden has been up to some exciting stuff in Chicago! Check out her play “Tin Noses” in the Chicago Theater Marathon on July 23rd at 11am! Congrats Sarah!! Woooot!

More about the play:

TIN NOSES is an exploration of representation, disability, Hollywood, and superhero action figures. When movie star Max is cast as a wounded World War I vet in an upcoming prestige pic, he must learn how to perform disability for the camera. Who better to help shape his physicality than ex-flame and hotshot choreographer Hannah? And her colleague Austin, who lost the role to Max, and who lives with spastic hemiplegia. Yup, this won’t get awkward at all.

Here is some info on the Marathon:

The Chicago Theatre Marathon is a weekend-long, marathon event celebrating the diversity of the Chicagoland theatre community. The Marathon aims to acknowledge the variety of characteristics and categories of identity that make individuals unique, including but not limited to race, ethnicity, sexual orientation, gender or gender expression, socio-economic status, age, physical, mental and learning abilities, religious beliefs and political views. Additionally, this year’s rallying cry will be “I am Indomitable,” and will reflect on how artists in Chicago can fully embody that word. This curated series will provide a platform to recognize the uniqueness of individuals, populations, groups and their experiences while cultivating a sense of commonality and shared goals for our community.

 

Details:

Facebook Event  

Get Tickets here

11 am on Sunday,July 23rd-

The Chicago Theatre Marathon will take place at the new home of Strawdog Theatre Company, at 1802 W Berenice Ave, Chicago, IL 60613. There are two performance spaces: The black box theatre and the lobby.

 

More about Sarah

Sarah Bowden is a teaching artist, whose plays have been produced in Chicago, New York, Philadelphia, Toronto, and Stockholm. Her work has been developed and presented by the Painted Bride Art Center, the Pittsburgh Irish & Classical Theatre, the Nylon Fusion Theatre, Monkeyman Productions, the Greenhouse Theater Center, the Chicago Madness Collective, and Ohio University. Her full-length The Magnificent Masked Hearing Aid was listed as a semi-finalist in several theatre festivals, including the Capital Repertory Next Act! New Play Summit, the Actor’s Theatre of Charlotte’s nuVoices Festival, the Activate Midwest New Play Festival and the Elgin Cultural Commission Page to Stage Program. The script received Honorable Mention in the American Blues Theater Blue Ink Playwriting Award. Sarah has won the White-Howells English Prize for Drama and the Margaret W. Baker Prize for Fiction, was a finalist in the Route 66 Theatre Test Drive Workshop, and a semi-finalist for the Stage Left Theatre Playwright Residency. She has developed her work as a finalist in the International Thespian Festival’s Playworks program. She has completed internships with Chicago Dramatists, Northlight Theatre, Arden Theatre Company, the Wilma Theater, the Eugene O’Neill Theater Center, and the Adirondack Theatre Festival. Sarah holds an M.F.A. in Playwriting from Ohio University and B.A. in directing and creative writing from Beloit College, and teaches theatre and composition at Benedictine University and Prairie State College.

-Read her work on New Play Exchange!!

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Charles Smith’s Play Discussed on NPR’s Weekend Edition

  • June 3, 2017
  • by Erik Ramsey
  • · Chicago · News · world premiere

objects_01_wide-af9f795118f04eaf31f2c07a9b3a66bce388f8e4-s800-c85
Daniel Kyri plays Shedrick Yarkpai in the Goodman Theatre production of Objects in the Mirror.
Liz Lauren/Goodman Theatre

Charles Smith’s Objects in the Mirror is featured in today’s Weekend Edition by NPR (June 3rd, 2017). Listen at the link below:

http://www.npr.org/2017/06/03/531207534/this-play-was-inspired-by-a-real-refugee-s-shakespearean-dilemma

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Bianca Sams has reading in Chicago this month!

  • March 2, 2017
  • by catherineforever666
  • · Chicago · News

Bianca Sams has a reading of her play “Battle Cry” in Chicago with 20% theater. It will be at the Berry United Methodist Church at 8pm from March 8th-11th, Wednesday-Saturday. 20% theater has also done works by alums Sarah Bowden and current playwright Rachel Bykowski.

Here is what the play’s about: “In March of 1955, 15-year-old Claudette Colvin dreams of going to college to become a lawyer to fight for Civil Rights. One day, while taking the bus to school, the driver tells Claudette to give up her seat. When Claudette refuses, she is harassed by the police officers, and put on trial for violating the segregation laws. Her refusal to give up her seat sparked a protest against the bus company and sets in motion one of the greatest moments in the Civil Rights movement.”

Go see it if you’re in Chicago! Congrats Bianca!! Keep on rockin’ it!

 

Details

March 8th – 11th, 2017 

Berry United Methodist Church (4754 N Leavitt St)

Wednesday – Saturday at 8:00. 

Click here to RSVP on the Facebook event

click here to buy tickets and learn more about the show!

 

 

More about Bianca

Bianca Sams is an Actor/Writer hailing from the San Francisco Bay Area. Her plays are lyrical investigations of found stories out of today’s headlines or the pages of history, that ask audiences to face their own complex love affair with misery. She recently finished her MFA in Playwriting at Ohio University. She received her BFA from New York University’s Tisch School, where she earned the distinction of being Tisch’s first ever Triple Major (Acting, Dramatic Writing, Africana Studies). Awards and honors include KCACTF Lorraine Hansberry (2nd place), Rosa Parks Award (2nd place), Kennedy Center/Eugene O’Neill New Play Conference fellow, Jane Chambers Student Playwright Award/Athe (2ndPlace), Scott McPherson Award, The Playwright Center Core Apprentice (2014), Playwright Foundation BAPF (finalist), Eugene O’Neill NPC (semi-finalist), TRI Research Fellowship at Ohio State University, Nashville Rep/Ingram New Play Lab Playwright- In-Residence, and T. S. Eliot Acting Fellowship. She is represented by Echo Lake Management.

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Rachel Bykowski is published on Howlround!

  • November 13, 2016
  • by catherineforever666
  • · Chicago · Current Students · News

Current student Rachel Bykowski has an original article on Howlround called, “Yes, All Men (Need To Listen): Making Rooms for Womanhood in American Theater” that explores why female playwrights need to be heard.

Here’s an excerpt:

“It’s really not surprising to see the gap between male and female playwrights when the majority of the gatekeepers to the American stage are men. A study by the Wellesley Centers for Women and the American Conservatory Theatre show that since 2013 women have never held more 27 percent of leadership positions for the American nonprofit theatre. The study goes on to note only fifteen women served as artistic directors or executive directors in the seventy-four LORT theatres.

With men in the driver seat of the American theatre, can we as women truly tell stories that may cast men as the bad guys? Or is the privileged fragility of the male ego silencing our voices and only allowing women to come along for the ride as long as we behave like good, little girls?”

Read full article here

Congrats Rachel!!

 

More about Rachel

Rachel Bykowski, a Chicago native, writes plays to raise awareness about social issues.  Specifically, much of her writing features women and analyzes gender roles, rape culture, and male privilege.  Rachel’s full-length play TIGHT END was selected by the National New Play Network to be workshopped at the Kennedy Center for the MFA Playwrights’ Festival. TIGHT END will be receiving its world premiere production with 20% Theatre Company Chicago in May of 2017. Rachel was one of six graduate students at Ohio University to be awarded a Named Fellowship, The Trisolini.  The Trisolini will allow Rachel to work with Ohio University’s Women’s, Gender, and Sexuality Studies department to research violence against women perpetrated by male privilege for the 2016-2017 academic year.  This research will be showcased in her thesis play VOODOO DOLL during the 2017 Seabury Quinn Playwrights’ Festival at Ohio University.   Other playwriting credits include her full lengths: ORIGINAL RECIPE workshop production (DePaul University,) GOT TO KILL BITCH staged reading (Cock and Bull Theatre,) GLORY VS. THE WOLVES staged reading (20% Theatre Company and Women and Children First Bookstore,) and A GIRL NAMED CHARLIE staged reading (Ohio University).  Rachel’s ten minute plays have been produced with various companies around Chicago and the Midwest including 20% Theatre Company, Fury Theatre, Commedia Beauregard, and Actors’ Theatre of Louisville Apprentice Company.  Rachel received her BFA in playwriting from the Theatre School of DePaul University and is currently attending Ohio University for her MFA in Playwriting. Rachel is a proud company member and Literary Manager for 20% Theatre Chicago.  For more information, check out her website www.rachelbykowski.com

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Sarah Bowden has a new play in Chicago!

  • September 12, 2016
  • by catherineforever666
  • · alumni · Chicago · Events · News

Check out alum Sarah Bowden’s new play in Chicago this week!

Below is an announcement about it by Rachel Bykowski, current third year playwright and Literary Manager of 20%theater:

“I’m sure some of you have heard that my theatre company 20% Theatre Company Chicago is doing something a little different this season. For our 14th season, we are featuring 20 new plays written by 20 emerging female playwrights. We just wrapped up our Snapshots 10-minute play festival in August and are now kicking off our workshop presentation series with the new play Lively Stones by Sarah Bowden.

Sarah is a fellow Ohio MFA Playwriting alum and currently living in Chicago. When Sarah first shared with me her script for Lively Stones I was blown away by her heartbreaking subtleties in this insightful play as Sarah’s characters demonstrate how no matter if it is the 1600’s or the 2000’s, we as women are still in a battle for the right to have control over our own bodies.”

Here is more about the play: Tired of delivering babies and doling out witch hazel in her living room, midwife Anne Hutchinson pines for Planned Parenthood: circa 1636.  When Massachusetts founder John Winthrop announces his plans to run for governor, Anne agrees to support his election — if he’ll grant her the land to build a women’s clinic in Boston.  Amid mounting campaign promises, she becomes one pebble in a full bucket, and Anne must figure out how to lay her clinic’s cornerstone while stemming the suspicions of the colony’s most important citizen. Lively Stones was a participant in the 2016 DarkRoom.

Congratss Sarah! Come see the Workshop Presentation of Lively Stones starting September 14th!

 

Details

September 14th – 17th, 2016

Berry United Methodist Church (4754 N. Leavitt), Chicago, IL

Wednesday – Saturday at 8:00.

 

More about Sarah

Sarah Bowden is a teaching artist, whose plays have been produced in Chicago, New York, Philadelphia, Toronto, and Stockholm. Her work has been developed and presented by the Painted Bride Art Center, the Pittsburgh Irish & Classical Theatre, the Nylon Fusion Theatre, Monkeyman Productions, the Greenhouse Theater Center, the Chicago Madness Collective, and Ohio University. Her full-length The Magnificent Masked Hearing Aid was listed as a semi-finalist in several theatre festivals, including the Capital Repertory Next Act! New Play Summit, the Actor’s Theatre of Charlotte’s nuVoices Festival, the Activate Midwest New Play Festival and the Elgin Cultural Commission Page to Stage Program. The script received Honorable Mention in the American Blues Theater Blue Ink Playwriting Award. Sarah has won the White-Howells English Prize for Drama and the Margaret W. Baker Prize for Fiction, was a finalist in the Route 66 Theatre Test Drive Workshop, and a semi-finalist for the Stage Left Theatre Playwright Residency. She has developed her work as a finalist in the International Thespian Festival’s Playworks program. She has completed internships with Chicago Dramatists, Northlight Theatre, Arden Theatre Company, the Wilma Theater, the Eugene O’Neill Theater Center, and the Adirondack Theatre Festival. Sarah holds an M.F.A. in Playwriting from Ohio University and B.A. in directing and creative writing from Beloit College, and teaches theatre and composition at Benedictine University and Prairie State College.

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Laura Jacqmin featured in Victory Garden’s Ignition Festival!

  • August 3, 2016
  • by catherineforever666
  • · Chicago · News

Alumni Laura Jacqmin has a new play in Victory Garden’s New works Festival which runs this weekend, August 5th-7th in Chicago!!  The website describes the Ignition festival: the Ignition Festival of New Plays is a national annual festival devoted to fostering a community of support for the development of outstanding new plays and nurturing relationships with emerging and established playwrights.  All readings are free and open to the public.”

Laura’s new play is called “EOM(end of message)” and here is the blurb “When the milestone date on their new video game is suddenly moved up – the week before Thanksgiving – a ragtag team of game developers must camp out at the office for seven days straight, crunching to meet an impossible deadline.”  Looks funn!!

Go check it out if your in Chicago!! Congrats Laura!

 

 

Go see the reading!

Saturday August 6th, Začek-McVay Theater | 7:30pm

The Cast:
Owais Ahmed
Jordan Brodess
Coby Goss
Casey Morris
Kelly O’Sullivan
Alec Silver

Theater Location

2433 North Lincoln Avenue | Chicago, IL 60614
Administration: 773.549.5788 | Tickets: 773.871.3000

 

More about Laura

Laura Jacqmin is a Chicago-based playwright, TV writer and video game writer, originally from Cleveland.

Plays: Residence (40th Humana Festival of New American Plays at Actors Theatre of Louisville); January Joiner (Long Wharf Theatre); Ski Dubai (Steppenwolf Theatre); A Third (Finborough Theatre London); Look, we are breathing (Rivendell Theatre Ensemble; Sundance Theatre Lab); Dental Society Midwinter Meeting (Williamstown Theatre Festival; Chicago Dramatists/At Play, 16th Street Theater); Ghost Bike (Buzz22 Chicago). Awards: Wasserstein Prize, two NEA Art Works Grants, ATHE-Kennedy Center David Mark Cohen Playwriting Award, two MacDowell Fellowships, Illinois Arts Council Individual Artist Grant.

Television: “Grace and Frankie” (Netflix);  “Lucky 7” (ABC). Video Games: “Minecraft: Story Mode” (Telltale Games). She received her BA from Yale University, and earned an MFA in Playwriting from Ohio University. Founding member, The Kilroys.

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Dana Lynn Formby featured on prestigious ‘Kilroy’ List!

  • June 30, 2016
  • by catherineforever666
  • · Chicago · News

OU Alumni Dana Lynn Formby is once again honored on the Kilroy list! Her play “The Labeler” was one of honorable mentions.  This list was a tool created by the all female LA activist group of writers who were looking for ways to promote gender parity in the theater.  They said so many gatekeepers were saying there were no good plays by female artists, so they got gate keepers to vote on the most exciting unproduced plays by women.  Dana also had a play on the list last year.

Here is a little synopsis of “The Labeler”: Two sisters, one “successful” one “…not so much”, must agree on the best way to lay their mother to rest. One sweet boon is she left them a piece of her in the form of a podcast, downloadable on iTunes. This is a hilarious, heartbreaking, suspenseful play that examines what it means—and what it takes to finally say goodbye.”

The play had development at Chicago Dramatists and was a semi-finalist for the Blue-Ink Prize at American Blues Theater.

Congrats Dana!  Hope this place finds a good, friendly home!

 

About Dana

Dana Lynn Formby is a Resident Playwright at Chicago Dramatists. Her play JOHNNY 10 BEERS’ DAUGHTER was listed on the Kilroys’ Honorable mention list for 2015. Her play AMERICAN BEAUTY SHOP was read at Steppenwolf’s First Look 2014. It was also nominated for Kilroy’s 2014’s “The List.” Her plays have been produced, workshopped, and read by Pegasus, Chicago Dramatists, Mortar Theatre Company, Steep, PICT, Victory Gardens, WordBRIDGE, Florida Studio Theatre, The Alliance Theatre of Atlanta, The Kennedy Center, and New York Theatre Workshop. Her short play A DECK OF MONSTERS was featured in Goodman’s New Play Bake-Off. Her play UNTIL DEATH was produced in 2015 at Concordia University Chicago in association with Chicago Dramatists. She is represented by The Robert A. Freedman Dramatic Agency in New York. She was a Finalist for the 2015 Princess Grace Award in playwriting.

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