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Tag: alumni

Neal Adelmans new play “I, Custer”in New Mexico!

  • March 12, 2016
  • by catherineforever666
  • · alumni · News · Productions

Recent OU Alum Neal Adelman has a new play at Las Cruces Community Theater in New Mexico.  “I, Custer” is a one woman play that deconstructs and wakes up Custers last stand.  The Las Cruces Sun News writes, “Tony Award-winning playwright and Academy Award-nominated screenwriter Mark Medoff, who selects and directs a student play each year at Las Cruces Community Theatre, chose Adelman’s work for the 2016 Mark Medoff Directorial Project Award.”

The review goes on to compliment the production, “Neal Adelman’s lyrical, poetic, “I, Custer” script brings to mind Greek odysseys and the evocative rhythms of Henry Wadsworth Longfellow’s “Song of Hiawatha.” And that’s quite a feat considering the play’s thoroughly modern, gender-bending millennial perspectives, and the often scatological, racist and sexist commentary from its controversial protagonist.  Check out the full review here

Congrats Neal on your awesome new play!

Go see it!

I, Custer” runs through March 20, with Friday and Saturday performances at 8 p.m.; Sunday performances at 2 p.m. at LCCT. For tickets, at $12, $11 for students, seniors and military, and $10 for children 6 and under and groups of 10 or more, visit lcctnm.org or call 575-523-1200.

If you go

What:  “I, Custer” by Neal Adelman

When:  Fridays, Saturdays and Sundays through March 20

Where: Las Cruces Community Theatre, 313 N. Main St.

How much: $10 to $12

Info: lcctnm.org, 575-523-1200.

 

More about Neal

Neal Adelman was born and raised in Fort Worth, Texas. He writes plays and short stories. His one act play TARRANT COUNTY received an NPP workshop and was a 2014 KCACTF John Cauble Outstanding Short Play National Finalist; his fiction has appeared in Puerto del Sol and Caldera Culture Review. When he’s not writing, he’s either fishing or trying to start a rock and roll band. He is a recent graduate of Ohio University and currently lives in New Mexico.

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Laura Jacqmin has play at the Humana fest!

  • March 9, 2016
  • by catherineforever666
  • · alumni · News · Productions · world premiere

OU Alumni Laura Jacqmin’s new play Residence is apart of 40th annual Humana Fest season.  The festival runs March 2nd-April 10th in Louisville, Kentucky and features plays by such as playwrights as Stephen Dietz and Sarah Ruhl.

Here is a synopsis of Residence:

New mom Maggie returns to her medical sales job, checking into an extended-stay hotel in Arizona as she pursues the commission that will get her out of debt and back on track. When she befriends two hotel employees intent on making her visit a five-star experience, they discover that their lives are all on similarly shaky ground. A funny and sharply-observed play about hanging on when you’re at the end of your rope, and the times when letting go might be the most responsible thing to do.

Here is a nifty video about Laura’s new play!  Congrats Laura!!  Y’all check check it out if you’re in the area!

 

More info about the production

Dates-March 2 – April 10, 2016

by Laura Jacqmin
directed by Hal Brooks

316 West Main St. Louisville, KY 40202

Box Office: 502.584.1205 502.371.0956 TDD

Buy tickets here

 

More about Laura

Laura Jacqmin is a Chicago-based playwright, TV writer, and video game writer, originally from Cleveland. At Actors Theatre: Hero Dad. Regional: January Joiner (Long Wharf Theatre); Ski Dubai (Steppenwolf Theatre); Dental Society Midwinter Meeting (Williamstown Theatre Festival, 16th Street Theater, Chicago Dramatists/At Play). Other theatre: A Third (Finborough Theatre, London); Look, We Are Breathing (Rivendell Theatre Ensemble, Sundance Institute Theatre Lab); Do-Gooder (16th Street Theater); Ghost Bike (Buzz22 Chicago), and more. Jacqmin is the recipient of the Wasserstein Prize, two National Endowment for the Arts Art Works grants, The Kennedy Center’s David Mark Cohen Playwriting Award, two MacDowell Fellowships, and an Illinois Arts Council Individual Artist Grant. Television: Grace and Frankie (Netflix); Lucky 7 (ABC). Video games: Minecraft: Story Mode (Telltale Games). Jacqmin is a founding member of The Kilroys and holds a B.A. from Yale University and an M.F.A. from Ohio University. Residence was developed by the Cape Cod Theatre Project.

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Merri Biechler’s new play coming to the Hahne this month!!

  • January 12, 2016
  • by catherineforever666
  • · Events · News · Productions

OU Alum Merri Biechler’s new play “Tammy Faye’s Final Audition” is coming to the Hahne this month!   The show was previously at the Cincinnati Fringe Fest, Centenary Stage Company and Capital Fringe.  Here’s a little bit about the show: Tammy Faye Bakker was the sweetheart of Christian TV in the 70’s and 80’s, until it all came crashing down. As she nears the end of her life, she attempts a comeback. In a fevered dream, she enlists the men in her life to audition for one final TV show.

The show is produced by Brick Monkey Theater and features current OU Acting Faculty as well as direction by Dennis Delaney. Check it out!!

 

More Info

January 14-23, 2016

The Hahne Theater
Kantner Hall at Ohio University
Athens, Ohio

Thursday, January 14 at 8pm preview
Friday, January 15 at 8pm
Saturday, January 16 at 8pm
Sunday, January 17 at 2pm
Wednesday, January 20 at 8pm
Thursday, January 21 at 8pm
Friday, January 22 at 8pm
Saturday, January 23 at 4pm and 8pm

To reserve and purchase tickets, visit: http://tammyfayeathens.bpt.me
or http://www.brownpapertickets.com/event/2478488

More info here

 

More about Merri

MERRI BIECHLER, Managing Director of BMTE, is a playwright whose plays include Confessions of a Reluctant Caregiver (Jane Chambers Student Playwriting Award, Kendeda Graduate Playwriting Competition finalist, Princess Grace Award finalist, WordBRIDGE Playwrights Laboratory participant, and the recipient of over $30,000 in grants to use the play as a teaching tool for medical students); Real Girls Can’t Win! (nominated by the Tony Award-winning Victory Gardens Theater for the Stavis Playwriting Award; workshopped at VG, and Centenary Stage Company); Dolley Madison and the Secret History Club (Kennedy Center/White House Historical Association commission); Bombs, Babes and Bingo (Clubbed Thumb Biennial Commission finalist, P73 Playwriting Fellowship finalist); The Bathtub Play (Jane Chambers Student Playwriting Award); and Brace for Impact (Cleveland Public Theatre). As a professional actor, Merri studied acting with Sanford Meisner at the Neighborhood Playhouse in NYC and at his home on the island of Bequia, West Indies. She was a founding member the Edge Theater with fellow North Carolina School of the Arts classmates Peter Hedges, Mary-Louise Parker and Joe Mantello, and acted in more than a dozen new plays with the company. She appeared Off-Broadway inTony ‘n Tina’s Wedding, has been seen in the films He Said, She Said,Man of the Year and The Thing Called Love, and in guest starring parts on TV in E.R., Judging Amy, Murphy Brown and Love and War. She worked at ABC Television for three years writing scripts and treatments for its Movie-of-the-Week division. Merri is a member of the Writers Guild of America, Actors Equity Association, Screen Actors Guild, and a member of the once glorious, and now defunct, Circle Rep Lab.

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Two OU artists featured in 20% Theater’s New Works Series!

  • January 9, 2016
  • by catherineforever666
  • · alumni · Chicago · Current Students · Events · News

Two OU affiliated artists will have plays workshopped in Chicago this month with the awesome 20&% Theater Company!  Current second year playwright, Rachel Bykowski’s first year full-length play “Tight End”  as well as OU alum Sarah Bowden’s play “Lively Stones.”  Rachel is the literary manager for this awesome women’s theater company and helped develop this new works series!

The plays will be featured in 20% Theatre Company Chicago Dark Room New Play Development Series. 20% theater writes about this exciting event: “The artists of 20% Theatre strive to create a home for strong female voices in the field, thus strengthening the presence of women in the Chicago theatre community; and we feel our Dark Room is a vital part of this mission. Our fourth annual new play workshop will feature two plays by a couple of awesome local lady playwrights. Join us to hear a reading of these new works and provide feedback for the playwrights on the development of their scripts.”

Here is a synopsis for the two plays!  Rachel’s play “Tight End” was presented last year at the Seabury Quinn Festival:  Ash (believe me, you do not want to call her “Ashley”) Miller’s dream is to catch the winning touchdown pass for the Westmont High Titans’ Homecoming game.   Football is in her blood, but in order to make the team, Ash will have to prove she is one of the guys even if that means sacrificing her body for the love of the game. 

Sarah’s play “Lively Bones” is about this:  Tired of delivering babies and doling out witch hazel in her living room, midwife Anne Hutchinson pines for Planned Parenthood: circa 1636.  When Massachusetts founder John Winthrop announces his plans to run for governor, Anne agrees to support his election — if he’ll grant her the land to build a women’s clinic in Boston.  Amid mounting campaign promises, she becomes one pebble in a full bucket, and Anne must figure out how to lay her clinic’s cornerstone while stemming the suspicions of the colony’s most important citizen.

 

 

If you are in Chicago January 27th – 30th, come check out our new works!  Congrats to these two talented women!!

 

More details on the event

January 27th – 30th @ 7:00

Mrs. Murphy & Sons Irish Bistro (3905 N Lincoln Ave, Chicago)

 

More about Rachel

Rachel Bykowski was born and raised in Chicago.  She writes plays that examine the masks people wear to conceal their true identities to blend into society and explores the repercussions when the masks are ripped off.  Her work often includes proactive female characters that raise awareness to issues surrounding women. Rachel received her BFA in Playwriting from The Theatre School of DePaul University.  Her playwriting credits include her full length plays: Original Recipe produced by DePaul University; staged reading of Got to Kill Bitch presented by Cock and Bull Theatre in Chicago; and staged reading of Glory vs. The Wolves presented by 20% Theatre Company Chicago and hosted by Women and Children First Bookstore as part of an event to raise awareness about rape culture.  Her one act plays include: The Best Three Minutes of My Life produced by Bradley University; Break-Up Court and Pay Phone produced by 20% Theatre Company Chicago; The Invisible Onesproduced by Fury Theatre in Chicago; and She Sings For You produced and published by Commedia Beauregard in Chicago.  Rachel is also a proud company member of 20% Theatre Company Chicago.  She is very excited to continue her writing career and pursuing her MFA in Playwriting under the tutelage of Ohio University.

 

More about Sarah

Sarah Bowden is a playwright, raised right, who writes about kryptonite. Her plays have been produced in Chicago, New York, Philadelphia, Toronto, and Stockholm. Her work has been developed and presented by the Painted Bride Art Center, the Pittsburgh Irish & Classical Theatre, the Nylon Fusion Theatre, Monkeyman Productions, the Chicago Madness Collective, the Dandelion Theatre Company, and Ohio University. Her full-length The Magnificent Masked Hearing Aid was listed as a semi-finalist in several theatre festivals, including the Capital Repertory Next Act! New Play Summit, the Actor’s Theatre of Charlotte’s nuVoices Festival, the Activate Midwest New Play Festival and the Elgin Cultural Commission Page to Stage Program. The script received Honorable Mention in the American Blues Theater Blue Ink Playwriting Award. Sarah has won the White-Howells English Prize for Drama and the Margaret W. Baker Prize for Fiction, was a semi-finalist for the Stage Left Theatre Playwright Residency, and has developed her work as a finalist in the International Thespian Festival’s Playworks program. She has completed internships with Chicago Dramatists, Northlight Theatre, Arden Theatre Company, the Wilma Theater, the Eugene O’Neill Theater Center, and the Adirondack Theatre Festival. Sarah holds an M.F.A. in Playwriting from Ohio University and B.A. in directing and creative writing from Beloit College, and teaches theatre and composition at Benedictine University and Prairie State College.

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OU Alumni features in short play fest in Chicago this January!

  • December 31, 2015
  • by catherineforever666
  • · alumni · Chicago · News

Jacob Juntunen and Laura Jacqmin both have short plays featured in the side project short play fest this January!  For its 16th Anniversary, the side project theatre in Chicago commissioned 16 playwrights to write a play for each year of the company’s existence.   Check out two awesome alumni’s work featured in this exciting Chicago event!!  Woot woot!

INFO

“TAIL EATS SNAKE:PART DEUX”

A World Premiere
by Brett Neveu, Sean Graney, Robert Tenges, Daniel Talbott, Laura Jacqmin, Philip Dawkins, Crystal Skillman, Dan Caffrey, Jesse Weaver, Mark Young, Mike Fife, Jacob Juntunen, Steve J. Spencer, Sherod Santos, Lynne McMahon and Scott Barsotti

January 5 -January 31

For more info and tickets click here

 

More about Jacob

Jacob Juntunen is a playwright and theatre scholar whose work focuses on people who struggle against society’s boundaries.

His playwriting stems from a mix of scholarship and social responsibility. Therefore, his playwriting and academic writing are a constant symbiosis. Both focus on understanding the political function of theatre, and this focus is demonstrated in his plays, which, overall, are meant for those “who want to leave the theatre changed and moved,” as one Chicago critic described. He recently wrote See Him? to participate in the Belarusian Dream Theater, a consortium of 18 theaters in 13 countries simultaneously producing plays to raise awareness about human rights violations in Belarus. His latest play, Hath Taken Away, was an O’Neill Playwrights Conference Semi-Finalist, and has had readings at the Last Frontier Theatre Conference (Valdez, AK) and as part of the Saturday Series at Chicago Dramatists. His previous full-length play, In The Shadow Of his Language, was an Alliance/Kendeda National Graduate Playwriting Contest Finalist; an O’Neill Playwrights Conference Semi-Finalist; an AACT New Play Contest Finalist; and a Princess Grace Fellowship Semi-Finalist. It was read at Chicago Dramatists, as part of Chicago’s Department of Cultural Affairs “In the Works” series, at the Alliance Theatre, and workshopped off-Broadway at Playwrights Horizons.

More about Laura

Laura Jacqmin is a Chicago-based playwright, TV writer, and video game writer, and the winner of the 2008 Wasserstein Prize, a $25,000 award given to recognize an emerging female playwright. She graduated cum laude from Yale University and earned an MFA from Ohio University.

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Qui Nguyen has new play at MTC in NYC!

  • November 19, 2015
  • by catherineforever666
  • · alumni · News · Productions

Alumni Qui Nguyen’s new play “Vietgone” has just been added to the 2016/17 season at Manhattan Theater Club in NYC, a prestigious Off Broadway theater.  Qui has made a name for himself in NYC with geeky, fun plays like “She Kills Monsters” and “Alice in Slasherland”

Variety describes the play, “Nguyen’s play “Vietgone” remixes pop culture and his parents’ real-life backstory to chronicle a romance between Vietnamese refugees in a Middle American relocation camp. The play recently finished up a run at South Coast Repertory directed by May Adrales, who’ll also helm the MTC staging.”  Read full article here

Congrats Qui on this awesome achievement!

 

INFO

“Vietgone” begins previews Oct. 4, 2016 ahead of an Oct. 25 opening at the larger of MTC’s two Off Broadway spaces, City Center Stage I.

 

More about Qui

Qui Nguyen is a playwright, TV writer, and Co-Founder of the OBIE Award-winning Vampire Cowboys Theatre Company of NYC. He and his work, known for its innovative use of pop-culture, stage violence, puppetry, and multimedia, has been called “Culturally Savvy Comedy” by The New York Times, “Tour de Force Theatre” by Time Out New York, and “Infectious Fun” by Variety.

Scripts include Vietgone (South Coast Rep, Oregon Shakespeare Company, Manhattan Theatre Club), She Kills Monsters (The Flea, Buzz22 Chicago/Steppenwolf, Company One); War is F**king Awesome (developed in the Sundance Theatre Lab); Krunk Fu Battle Battle (East West Players); Bike Wreck (Ensemble Studio Theatre); Trial By Water (Ma-Yi Theater); Aliens Versus Cheerleaders (Keen Teens); Soul Samurai; The Inexplicable Redemption of Agent G (Ma-Yi Theater & Vampire Cowboys); and the critically acclaimed Vampire Cowboys productions of Alice in Slasherland; Fight Girl Battle World; Men of Steel; and Living Dead in Denmark.

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Laura Jacqmin has play in the Humana Fest!

  • November 17, 2015
  • by catherineforever666
  • · alumni · News

This morning it was announced that Chicago based alumni Laura Jacqmin will have a play for the 2016 Humana Festival for New American Plays.  Jacqmin’s play “Residence” will premiere at the Fest from March 2nd to April 10th.  The artistic director was quoted in the article , “Its an interesting play about people coping.  So many people, when you ask them how they are doing, they seem to tell you they are just hanging on and coping with life.  Check out the full article here

Congrats Laura!! Check out the play if you are in the area!

Here is the full lineup:

40TH HUMANA FESTIVAL OF NEW AMERICAN PLAYS

March 2 – April 10, 2016

ON SALE NOVEMBER 18TH


For Peter Pan on her 70th birthday
by Sarah Ruhl
directed by Les Waters
commissioned by Actors Theatre of Louisville

This Random World
by Steven Dietz
directed by Meredith McDonough

Residence
by Laura Jacqmin
directed by Hal Brooks

Wellesley Girl
by Brendan Pelsue
directed by Lee Sunday Evans

Cardboard Piano
by Hansol Jung
directed by Leigh Silverman

Wondrous Strange
by Martyna Majok, Meg Miroshnik, Jiehae Park, and Jen Silverman
directed by Marti Lyons
performed by the 2015-2016 Acting Apprentice Company
commissioned by Actors Theatre of Louisville

– See more at: http://actorstheatre.org/humana-festival-of-new-american-plays/#sthash.wklyDuIk.dpuf

 

More out Laura

Laura Jacqmin is a Chicago-based playwright, TV writer, and video game writer, originally from Cleveland. Her play Dental Society Midwinter Meeting was named one of New City Stage’s Top Five Plays of 2010, as well as TimeOut Chicago’s Honorable Mentions: Best Theater of 2010. Look, We Are Breathing is currently nominated for a 2015 Joseph Jefferson Award for Best New Work. Awards: winner of the Wasserstein Prize, two NEA Art Works Grants, Kennedy Center David Mark Cohen Award, two MacDowell Fellowships, Illinois Arts Council Individual Artist Grant; finalist for Heideman Award, Laurents/Hatcher Prize, BBC International Playwriting Competition, and the Princess Grace Award.

Television: “Grace and Frankie” (Netflix), “Lucky 7” (ABC). Video games: “Minecraft: Story Mode” (Telltale Games).

Plays: Look, We Are Breathing (Sundance Theater Lab, Rivendell Theatre Ensemble), Ghost Bike (Buzz22 Chicago), Do-Gooder (16th Street Theater), January Joiner (Long Wharf Theatre), Ski Dubai (Steppenwolf Theatre), Two Lakes, Two Rivers (O’Neill National Playwrights Conference, Royal Court Theatre’s International Residency), and Dental Society Midwinter Meeting (Chicago Dramatists/At Play, remounted 16th Street Theater and Theater on the Lake).

Her work has been produced and developed by Atlantic Theater Company, Old Vic New Voices, Roundabout Underground, Vineyard Theatre, LCT3, Ars Nova, Cape Cod Theatre Project, Second Stage Theatre, Contemporary American Theater Festival, The 24 Hour Plays Off-Broadway, and the inaugural NNPN University Playwrights Workshop at Stanford University, among others.

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Reginald Edmund has play reading at Stuart’s Opera House November 20th!

  • November 12, 2015
  • by catherineforever666
  • · alumni · News

Stuart’s Opera House presents a FREE play reading of The Daughters of The Moon by Chicago playwright and Ohio University MFA alumni Reginald Edmund! This play is part one of the City of the Bayou Collection. Throughout the week, Reginald will be conducting playwright workshops in local high schools and working with local students as part of Stuart’s Opera House’s arts education programming in the Ohio region!

Congrats Reginald!  Check this awesome reading out!!

For more info on event click here

The reading will be free and will take place Friday, November 20, 2015 at 7:00pm

52 Public Square
P.O. Box 217
Nelsonville, Ohio 45764
(740) 753-1924
More about Reginald

Reginald Edmund is a resident playwright of Chicago Dramatists. He was a 2009-2010 and 2010-2011 Playwrights’ Center Many Voices Fellowship recipient. Originally from Houston, Texas, he was the Artistic Director for the Silver House Theatre in Houston as well as the founder and producer for the Silver House Playwrights Festival and the Houston Urban Theatre Series. Reginald was the inaugural recipient of the Kennedy Center Fellowship at Soul Mountain Retreat in 2007 and the 2009 National Runner-up for the Lorraine Hansberry and Rosa Parks Playwriting Awards. In 2010, he was named Winner of The Southern Writers Competition and was recognized by TCG as a 2011 Young Leader of Color. His plays, The Ordained Smile of Sadie May Jenkins, Southbridge, Juneteenth Street, and The Redemption of Allah Black, all part of his nine-play series The City of the Bayou Collection, were developed at esteemed theaters including Ensemble Theatre of Houston, Silver House Theatre, Penumbra Theatre, the Playwrights’ Center, Boston Playwrights’ Theatre, Moving Arts, Karamu House, Pangea World Theater, the MacDowell Colony, Yaddo, Texas State University Black and Latino Theatre Conference, the Last Frontier Theater Conference, and the Kennedy Center. In 2012, he traveled to Colombia to serve as the guest speaker at the Intercolegiado de Teatro de Buenaventura and most recently he was named a winner of the 2013 Edgerton Foundation Award for his play Southbridge.

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New article by Ira Gammerman on Howlround about podcasts!

  • November 11, 2015
  • by catherineforever666
  • · News

Edgy OU Alum Ira Gammerman has written an awesome new article about the benefits of playwrights doing podcasts.  He discusses his own podcast “Dangerously Unqualified” about his unfortunate love life with fellow OU alumni Ryan Dowler as well as the history of playwrights engaging in this medium.

Here’s an excerpt from the article:

My first name is Ira, so I guess a career in podcasting was inevitable? When I moved to New York a few years back, I wanted to expand my skill set beyond writing plays. Podcasting seemed like a pretty intuitive transition: the format offers a great deal of creative freedom, production costs are relatively low, and—thanks to that other Ira—the medium is picking up major steam in popular culture.I started a serialized dating podcast called Dangerously Unqualified with EST/Youngblood alumni playwright Ryan Dowler and our friends at BSD Media.The premise was simple: Ryan agreed to fix my romantic troubles, if I gave him full control of my online dating profiles and wardrobe choices, followed all of his sage dating advice, and completed his whacky challenges. (Hilarity ensued; we even wound up in jail.)Not only did Dangerously Unqualified massively improve my dating life, but it also gave Ryan and me a chance to experiment with long-form serialized storytelling and collaborative content generation in a low-stakes environment that was protected from industry pressures. We dictated our own process, wrote all of the material ourselves, had final cut on the episodes, worked at our own pace, and learned a whole lot.

Click here for the full article.  Congrats Ira on this article about playwrights expanding opportunities beyond the stage!

More about Ira

Ira Gamerman is an Award-Winning AustraliAmerican PodcastPlaywright. He creates sound and songs using affected electric mandolin and guitar with Anonymous In The Clouds, Battler, and Pronouns. His Dramatic work has been produced by The Kennedy Center, Collaboraction, Short & Sweet Sydney, Source Festival, and The Chicago New Media Summit. In 2006, City Paper voted Ira “Best Playwright Of Baltimore” and in 2009, he was nominated for a New York Innovative Theater Award for best short play. As a Podcaster, Ira writes for Radiotopia’s THE TRUTH (featured on This American Life) where his Collaborative Audio-Play “Biological Clock” won a 2013 Mark Time Award from the Fire Sign Theater for Best Science Fiction Audio Production of the Year. He also co-created and co-hosts DANGEROUSLY UNQUALIFIED: A PODCAST ABOUT LOVE with EST/Youngblood Alumni Playwright Ryan Dowler through BSD MEDIA. Internationally, Ira is Co-Creative Artistic Director of AUSTRALIAMERICAN THEATER CONGLOMORATE: EVERYTHING IS EVERYWHERE (2 Americans 2 Aussies 2 Gals 2 Dudes 2 Goys 2 Jews 2 Legit 2 Quit) with Jessica Bellamy, David Finnigan, and Siobhan O’loughlin. Ira holds a BA in Theater from Towson University, an MFA in Playwriting from Ohio University, and studied Devised theater at the (now defunct) Dartington College Of Art in the UK.  As an educator, Ira has taught undergraduate theater at Ohio University and Kingsborough Community College in Brooklyn in addition to playwright-mentoring Young Playwrights Festivals at Atlanta’s Horizon Theater and Baltimore’s Center Stage. As a journalist, Ira has been published by Consequence Of Sound, Eleven Magazine in St. Louis (even though he has never actually visited St. Louis), and HowlRound. He was also an extra in Season 3 of The Wire and has the screenshot to prove it if you don’t believe him.

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Qui Nguyen’s play “Vietgone” at South Coast Rep gets rave reviews!

  • October 24, 2015
  • by catherineforever666
  • · alumni · News

Qui Nguyen’s new play “Vietgone” just got a rave review from the Latimes!  Check out the play if you are in the Costa Meza area!  Here is a brief synopsis about the show:

” An all-American love story about two very new Americans. It’s 1975, and Saigon has fallen. He lost his wife. She lost her fiancé. But now in a new land, they just might find each other. Using his uniquely infectious style The New York Times calls “culturally savvy comedy”—and skipping back and forth from the dramatic evacuation of Saigon to the here and now—playwright Qui Nguyen gets up close and personal to tell the story that led to the creation of…Qui Nguyen.”

Congrats Qui on this awesome new play!

Here’s an excerpt from the review:

The language is more revealing of the playwright’s generational influences than his characters’. A good deal of the play’s slang wasn’t yet in circulation in the mid-1970s. Quang raps as though he had been listening to Ice Cube all through high school in Saigon.

But to accuse Nguyen of anachronism is to miss the point. The playwright is engaged in a multifaceted act of freehand translation. He wants to recapture the youthful vitality of his characters in a way that will speak to his own contemporaries.

Details on the show

VIETGONE by Qui Nguyen directed by May Adrales October 4-25, 2015

Theater Address: South Coast Repertory
655 Town Center Drive
Costa Mesa, CA 92626

More about Qui

Qui Nguyen is a playwright, TV writer, and Co-Founder of the OBIE Award-winning Vampire Cowboys Theatre Company of NYC. He and his work, known for its innovative use of pop-culture, stage violence, puppetry, and multimedia, has been called “Culturally Savvy Comedy” by The New York Times, “Tour de Force Theatre” by Time Out New York, and “a refreshing, break-the-rules writer” by the Chicago Tribune.

Scripts include Vietgone (South Coast Rep, Oregon Shakespeare Company), She Kills Monsters (The Flea, Buzz22 Chicago/Steppenwolf, Company One); War is F**king Awesome (developed in the Sundance Theatre Lab); Krunk Fu Battle Battle (East West Players); Bike Wreck (Ensemble Studio Theatre); Trial By Water (Ma-Yi Theater); Aliens Versus Cheerleaders (Keen Teens); Soul Samurai; The Inexplicable Redemption of Agent G (Ma-Yi Theater & Vampire Cowboys); and the critically acclaimed Vampire Cowboys productions of Alice in Slasherland; Fight Girl Battle World; Men of Steel; and Living Dead in Denmark.

.

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