OHIO

Ohio University MFA Playwriting Program

  • Home
  • News
  • Faculty
  • MFA Bios
  • Fest
    • 2022 Festival (28th)
    • 2021 Festival (27th)
    • 2020 Festival (COVID-19)
    • 2019 Festival (25th)
    • 2018 Festival
    • 2017 Festival
    • 2016 Festival
    • 2015 Festival
    • 2014 Festival
    • 2013 Festival
    • 2012 Festival
    • 2011 Festival
    • 2010 Festival
    • 2009 Festival
    • 2008 Festival
    • 2007 Festival
    • 2006 Festival
    • 2005 Festival
    • 2004 Festival
    • 2003 Festival
    • 2002 Festival
    • 2001 Festival
    • 2000 Festival
    • 1999 Festival
    • 1998 Festival
    • 1997 Festival
    • 1996 Festival
  • Madness
  • Curriculum
  • Alumni
  • Links

Tag: news

Mentors Announced for the Seabury Quinn Playwrights Fest!

  • March 24, 2015
  • by catherineforever666
  • · alumni · Events · Festival · News

We are proud to announce that The Visiting Mentors for the 2015 OHIO UNIVERSITY SEABURY QUINN, JR. PLAYWRIGHT’S FESTIVAL are: Steppenwolf’s Literary Manager and OU MFA Playwriting alum, Aaron Carter, Director of the Apprentice Company at Actors Theater of Louisville, Michael Legg and Executive Director of Indiana Repertory Theater, Janet Allen.

The festival will run April 23rd to the 25th.

Full Bios below:

Michael LeggMichael Legg is in his eighth season as Director of the Apprentice/Intern Company at Actors Theatre of Louisville, where he¹s directed world-premieres of plays by A. Rey Pamatmat, Laura Jacqmin, Dan Dietz, Kyle John Schmidt, Marco Ramirez, Carmen Herlihy, Alison Moore, and many others. Before coming to Actors, he spent three years as a theatrical agent in New York and his former clients can still be seen on Broadway, in television/film, and in regional theatres across the country. Prior to his time in New York, he spent seven years teaching and directing and has recently served as a guest artist at several universities, including the University of Central Florida, the University of Idaho, and Ohio University.  He also serves as the Artistic Director of the Wildwind Performance Lab in Texas and has taught for and worked extensively with the Kennedy Center/American College Theatre Festival. He holds an M.F.A. in acting from the University of North Carolina at Greensboro and is a proud member of Actors Equity.

janet allenJanet Allen is currently the Executive Director of Indiana Repertory Theater.  Creating world-class professional theatre for Central Indiana audiences of all ages has remained a career-long passion for Janet Allen.  She began at the IRT in 1980 as the theatre’s first literary manager–dramaturg. After four years in New York City, she returned to serve ten years as associate artistic director under mentors Tom Haas and Libby Appel. She was named the IRT’s fourth artistic director in 1996.  Janet studied theatre at Illinois State University, Indiana University, and Exeter College, Oxford. As a classical theatre specialist, she has published and taught theatre history and dramaturgy at IUPUI and Butler. Janet’s leadership skills and community service have been recognized by Indianapolis Business Journal’s “40 Under 40” Award, the Network of Women in Business–IBJ’s “Influential Women in Business” Award, Safeco’s Beacon of Light in Our Community Award, a Distinguished Hoosier Award conferred iby Governor Frank O’Bannon, Girls Inc.’s Touchstone Award for Arts Leadership, and the Indiana Commission on Women’s “Keeper of the Light” Torchbearer Award.

Aaron CarterAaron Carter is currently the director of new play development at Steppenwolf Theater Company where he has served as dramaturg on such projects as The Way West by Mona Mansour, and Airline Highway by Lisa D’Amour. Previously, he served as the Literary Manager at Victory Gardens Theater where he played a key role in the IGNITION Festival, and was involved in the production of The Elaborate Entrance of Chad Deity, Year Zero, Love Person and Living Green, among others. As a new play developer and dramaturg, Aaron has worked with many theaters and labs including WordBRIDGE, the Kennedy Center, Timeline Theater, Route 66 and Chicago Dramatists. Aaron also teaches courses in playwriting, dramaturgy and dramatic literature at Northwestern University, De Paul University, Roosevelt University and Grinnell College. As a playwright, Aaron’s work focuses on race, faith and obscure performance skills. Aaron’s play Gospel of Franklin was part of First Look 2013 at Steppenwolf. His latest play is Start Fair.

For more Info on the 2015 Seabury Quinn Jr. Playwrights Festival, Click here

Share this:

  • Click to share on X (Opens in new window) X
  • Click to share on Facebook (Opens in new window) Facebook
  • Click to email a link to a friend (Opens in new window) Email
Like Loading...

Dates Announced for the Seabury Quinn Jr Playwrights Festival

  • March 23, 2015
  • by catherineforever666
  • · Current Students · Festival · News

The dates and times for the 2015 Annual Seabury Quinn Jr Playwrights Festival are now posted on the website!  Included in the lineup are full productions of “Only Good Things Happen at the Fair” by Neal Adelman and “Dauphin Island” by Jeffrey Chastang, as well as 6 readings.  The festival runs April 23rd to the 25th, 2015 in Kantner Hall on the campus of Ohio University.

Readings featured in the festival include “Fools Gold” by Morgan Patton, “Random House” by Aaron Johnson, “Bait Shop” by Ryan Patrick Dolan, “ChocolateSexPuppyTacos (A Non-Denominational Comedy)” by Tyler Whidden, “Karate Hottie” by Catherine Weingarten, and “Tight End” by Rachel Bykowski.

Click here for the full schedule. And click here read more about this year’s festival mentors!

Share this:

  • Click to share on X (Opens in new window) X
  • Click to share on Facebook (Opens in new window) Facebook
  • Click to email a link to a friend (Opens in new window) Email
Like Loading...

Ryan Patrick Dolan’16 gets NAPAT nomination for his short play “DADDY’s LITTLE GIRLS”

  • March 18, 2015
  • by catherineforever666
  • · Awards · Current Students · News

Ryan Patrick Dolan’16’s play, “Daddy’s Little Girls,” garnered him one of the eight, nationwide nominations for the National Partners of American Theatre Playwriting Award which recognizes “best-written, best-crafted script with the strongest writer’s “voice.””

The play was also named a National Semifinalist for the Kennedy Center American College Theater Festival’s 10-minute play competition, THE GARY GARRISON AWARD FOR OUTSTANDING TEN-MINUTE PLAY. In conjunction with KCACTF, “Daddy’s Little Girls.”

Ryan excels at writing plays with strong and intricate character relationships with lots of heart and a bit of edge, which “DADDY’s LITTLE GIRLS” has to the tee.  We are very proud of him and his NAPAT nomination!

More about Ryan

Ryan Patrick Dolan is a second year MFA Candidate in the Ohio University Playwriting Program under Charles Smith and Erik Ramsey. He has a B.A. in playwriting from Columbia College Chicago where he studied under playwright, Lisa Schlesinger. He writes dark, comedic plays that explore love and loss, passion and destruction. Stylistically influenced by his years of improvisation, acting, and the Chicago Storefront aesthetic, he challenges the American stereotypes of gender, race, and sexuality.

His full-length play,“Moraine,” had a reading at the 2014 Seabury Quinn Jr. Playwrights Festival at Ohio University, and at the Trellis Reading Series at the Greenhouse Theater Center. Moraine is being produced at CIC Theater this March and April in Chicago, and is being directed by Mary Rose O’Connor.

http://ryanpatrickdolan.com/

Share this:

  • Click to share on X (Opens in new window) X
  • Click to share on Facebook (Opens in new window) Facebook
  • Click to email a link to a friend (Opens in new window) Email
Like Loading...

“Lost and Found” Madness coming this Friday!

  • March 16, 2015
  • by catherineforever666
  • · Madness · News

The next madness of the semester will be produced by third year playwright, Jeffry Chastang!  His prompt is Lost & Found Madness!

Show is March 20st, 11pm, in the Hahne Black Box theater. Admission is free. We recommend you get there 45 to 60 minutes ahead of time to assure yourself a seat.

For more information about Madness the fall semester, check out our Madness page.

More about Jeff

Jeffry Chastang is a writer/actor who hails from Inkster, Michigan, 15 miles west of Detroit/Motown. He earned a BA in Journalism at Wayne State University. As an actor his professional credits include FENCES, JOE TURNER’S COME AND GONE, THE OLD SETTLER, A SOLDIER’S PLAY, and JITNEY. Jeffry’s professional writing credits include FULL CIRCLE, …CONTINUED WARM, 1ST SATURDAY IN SEPTEMBER, and BLOOD DIVIDED. He was a recipient of the Kennedy Center for the Performing Arts’ Roger L. Stevens Award for FULL CIRCLE which was produced by Detroit’s Plowshares Theater Company. Plowshares’ also produced Jeffry’s second play …CONTINUED WARM which was named Best New Play by the Oakland Press. Jeffry was commissioned by the Alabama Shakespeare Festival to write a play marking the sesquicentennial of the Civil War. The play, BLOOD DIVIDED was produced by ASF in 2011 and received a 2011 Edgerton Foundation New Plays Award.

Share this:

  • Click to share on X (Opens in new window) X
  • Click to share on Facebook (Opens in new window) Facebook
  • Click to email a link to a friend (Opens in new window) Email
Like Loading...

MFA Playwright’s National Activism and Research

  • March 10, 2015
  • by Erik Ramsey
  • · Current Students · News · Press

catherine weingartenOhio University MFA Playwriting Student Catherine Weingarten is in the national news this week spearheading a charge to improve the world-wide conversation about body positivity. She has teamed up with Endangered Bodies to ask Facebook to remove an emoji that one can choose to self-describe as “feeling fat.” The Washington Post, ABC News, People, Huffington Post and many others (links below) have interviewed her about the Change.org petition, “Fat is Not a Feeling.” From the petition:

Facebook is the most popular social networking site in the world right now. With 890 million users each day, it has the power to influence how we talk to each other about our bodies. I dream that one day the platform will actively encourage body positivity and self-esteem among its users, but for now, all I ask is that it stop endorsing self-destructive thoughts through seemingly harmless emojis.

Her national advocacy is not surprising given her approach to playwriting. In fact, such activism is part and parcel of her research and voice as a playwright. From Catherine’s artistic statement:

“Catherine’s plays delve into the societal pressure placed on young women to be both impossibly good looking as well as ridiculously intellectual, humble, kind as can be, but sexy… Media pressure is always present in Catherine’s work and the characters can barely function without checking in…”

Links:

http://www.people.com/article/facebook-fat-option-status-update-petiton

http://www.washingtonpost.com/news/morning-mix/wp/2015/03/06/facebooks-feeling-fat-emoticon-is-fueling-a-fight-over-digital-body-shaming/

http://abcnews.go.com/Health/facebooks-feeling-fat-emoji-leaves-users-flat/story?id=29501954

http://www.huffingtonpost.com/2015/03/06/petition-facebook-remove-feeling-fat-status-_n_6819142.html

http://www.thepostathens.com/culture/graduate-playwright-catherine-weingarten-helps-spearhead-petition-to-remove-feeling/article_22795f28-c6b7-11e4-878e-63a01392712c.html

Endangered Bodies: http://www.endangeredbodies.org/

Share this:

  • Click to share on X (Opens in new window) X
  • Click to share on Facebook (Opens in new window) Facebook
  • Click to email a link to a friend (Opens in new window) Email
Like Loading...

“Bible 2” Madness coming this Friday!

  • March 9, 2015
  • by catherineforever666
  • · Current Students · Madness · News

The next madness of the semester will be co-produced by playwright, Aaron Johnson’16 and Neal Adelamn’15!  Their prompt is “Bible 2”!  They have asked the playwrights to create a new funky non-religious biblical story of their own that is inspired by an epic character.

Show is March 13, 11pm, in the Hahne Black Box theater. Admission is free. We recommend you get there 45 to 60 minutes ahead of time to assure yourself a seat.

For more information about Madness the fall semester, check out our Madness page.

More about Aaron

Aaron Johnson hails from the land of cheese in Eau Claire, Wisconsin.  He received his Bachelor of the Arts degree from the University of Wisconsin-Madison where he majored in English with an Emphasis in Creative Writing and in Theatre and Drama.  While not officially specializing in playwriting in his undergrad, Aaron took the only playwriting course offered twice and completed his creative writing thesis as a play instead of fiction or poetry writing which the school usually requires.  During his time at UW-Madison, Aaron completed three full length plays, multiple One-Acts, and numerous short plays which were all workshopped and some eventually produced at the university in staged readings.  In his Theatre and Drama major he specialized in props and was props master for a number of university shows including Ti-Jean and his Brothers and Eurydice.  Working his summers during college as a technical writer, Aaron decided to take a year off from school and work full time but the call of academia was too much for him to resist though as he is currently pursuing his MFA in Playwriting from Ohio University.  Aaron’s writing tends to take the complex and unnoticed topics of today’s culture and bring them to light by using them to create dramatic conflict and then ultimate understanding.  Using these undiscovered topics and coupling them with a realistic style will grow people’s curiosity and actively induce them to gain knowledge about today’s world.  Aaron fells immensely privileged and grateful to be working towards his MFA in Playwriting at OU with such great and inspiring mentors, colleagues, and friends.

More about Neal

Neal Adelman was born and raised in Fort Worth, Texas. He writes plays and short stories. His one act play TARRANT COUNTY received an NPP workshop and was a 2014 KCACTF John Cauble Outstanding Short Play National Finalist; his fiction has appeared in Puerto del Sol and Caldera Culture Review. When he’s not writing, he’s either fishing or trying to start a rock and roll band. He currently lives in southeast Ohio and studies dramatic writing at Ohio University.

Share this:

  • Click to share on X (Opens in new window) X
  • Click to share on Facebook (Opens in new window) Facebook
  • Click to email a link to a friend (Opens in new window) Email
Like Loading...

OU playwriting alum Jacob Juntunen and Catherine Weingarten’ 17 selected for Last Frontier Theater Conference!

  • March 3, 2015
  • by catherineforever666
  • · alumni · Current Students · News · Reading

The Last Frontier Theater Conference in Valdez, Alaska just announced the 64 plays selected for inclusion in the 2015 PlayLab and among them are two playwrights with connections to the Professional Playwriting program at OU, Jacob Juntuen and current MFA Candidate, Catherine Weingarten ’17.  Jacob got selected for his full-length play, Hath Taken Away and Catherine for her full-length play Are you Ready to get PAMPERED!? A graduate of the MFA in acting program, Eric Coble, will be a featured artist at the conference.

We are excited that there will be some OU reps at this prestigious conference!

There has been a history of OU playwriting alums at the conference including Ira Gammerman, Greg Aldrich and Jeremy Sony.

Here’s an excerpt from the website:  The week-long Last Frontier Theatre Conference is held every Summer in Valdez, Alaska. It draws a majority of its participants from Alaska, but each year there are also attendees from the rest of the country and beyond.  The 23rd Annual Conference is scheduled for June 14-20, 2015.

The Play Lab, started in 1995, features developmental readings of scripts from 20 minutes to 2 hours in length. Actors are sent scripts a month prior to the Conference. The readings receive one rehearsal the day before their performance, with the playwright acting as the director. The readings are then responded to by a three-person panel, and the audience gives their feedback as well. Additionally, authors have a private meeting with one of their panelists to further discuss the script.

Currently the Lab presents readings of 50-60 plays per year. Panelists include nationally acknowledged playwrights, director, designers, and dramaturgs, as well as some of the leading figures in Alaska’s theatre.

To read full press release Click Here

More about Jacob:

Jacob Juntunen is a playwright and theatre scholar whose work focuses on people who struggle against society’s boundaries.

His playwriting stems from a mix of scholarship and social responsibility. Therefore, his playwriting and academic writing are a constant symbiosis. Both focus on understanding the political function of theatre, and this focus is demonstrated in his plays, which, overall, are meant for those “who want to leave the theatre changed and moved,” as one Chicago critic described. He recently wrote See Him? to participate in the Belarusian Dream Theater, a consortium of 18 theaters in 13 countries simultaneously producing plays to raise awareness about human rights violations in Belarus. His latest play, In the Shadow of his Language lays bare the hidden dowry of academic success and was a semi-finalist for the O’Neill Center National Playwrights’ Conference; a semi-finalist for the Princess Grace Playwriting Fellowship; and a finalist for the Alliance/Kendeda National Graduate Playwriting Award. It was also awarded an “In the Works” residency by the city of Chicago’s Department of Cultural Affairs and Special Events. In the Shadow of his Language has enjoyed two staged readings in Chicago, another at Atlanta’s Alliance Theatre, and a workshop off-Broadway at Playwrights Horizons. His play Saddam’s Lions—published in Plays for Two (Vintage)—examines the disquieting memories of an African-American female Iraq War veteran and her struggles to come to terms with war-time trauma. Jacob based this play on interviews with a veteran. This process combined his desire for politically relevant work, his dedication to diverse casting opportunities, and his scholarship about the politics of performance. He hopes to inspire in students a similar yearning for intellectual curiosity, social activism, collaboration, and playwriting.

More about Catherine:

Catherine Weingarten hails from Ardmore, PA also known as the area that inspired the preppy sexy TV show “Pretty Little Liars.” Catherine’s comedic plays delve into the societal pressure placed on young women to be both impossibly good looking as well as ridiculously intellectual, humble, kind as can be but sexy.  Her plays usually include some hot fantasy sequences which helps attract the common man into the theater!   She recently graduated from Bennington College in Vermont where she studied playwriting(with Sherry Kramer) as well as gender, mediation and environmental studies.  Her short plays have been done at such theaters as Ugly Rhino Productions, Fresh Ground Pepper, Wishbone Theater Collective and Nylon Fusion Collective.  She is currently the playwright in residence for “Realize Your Beauty Inc” which promotes positive body image for kids by way of theater arts.   Catherine is thrilled to pursue her MFA at OU and thankful for the awesome opportunity for baller mentorship.  catherine-weingarten.squarespace.com

Share this:

  • Click to share on X (Opens in new window) X
  • Click to share on Facebook (Opens in new window) Facebook
  • Click to email a link to a friend (Opens in new window) Email
Like Loading...

David Mitchell Robinson gets into Playwrights Arena at Arena Stage!

  • March 3, 2015
  • by catherineforever666
  • · alumni · News

OU MFA Playwriting Alum David Mitchell Robinson has just received a spot in the Playwrights Arena at Arena Stage in D.C!    We are very excited about David’s awesome opportunity!

Here’s  a quote from the website about the group,” Playwrights’ Arena is the newest new play initiative developed by the American Voices New Play Institute. Centering on a small collaborative group of local playwrights dedicated to the support and development of each other’s work, Playwrights’ Arena, facilitated by Director of Artistic Programming Robert Barry Fleming, meets throughout the year to investigate each other’s work and develop their dramaturgical practice as playwrights while creating new work. Playwrights’ Arena launched at Arena Stage in January 2013 and began a second round in February 2015″

Here is the press release

More about David Mitchell Robinson

DAVID MITCHELL ROBINSON’s goal to write a play about every place he’s ever lived has resulted in Carapace (Minneapolis), The Imaginary Music Critic Who Doesn’t Exist (Chicago), Animals Nobody Loves (Southeast Ohio), Olympic Village (Atlanta) and Terminals (airplanes). These and other plays have been produced, developed or commissioned by the Alliance Theatre, Center Theatre Group, the O’Neill National Playwrights Conference, Primary Stages, the Kennedy Center for Performing Arts, Actor’s Express, Theater J, B Street Theatre, the Inkwell, Rep Stage, Field Trip Theatre, the Source Festival and Ohio University, where he received his MFA. David is a past winner of the Kendeda Graduate Playwriting Competition and the Scott McPherson Playwriting Award. He has also been a nominee for the PoNY Fellowship, the Lanford Wilson Award, the Terrence McNally Award and a Suzi Bass Award.

http://www.davidmitchellrobinson.com/

Share this:

  • Click to share on X (Opens in new window) X
  • Click to share on Facebook (Opens in new window) Facebook
  • Click to email a link to a friend (Opens in new window) Email
Like Loading...

Aaron Johnson ’16 featured in Post Article about OU dramaturgy opportunities!

  • February 26, 2015
  • by catherineforever666
  • · Current Students · News · Press

Aaron Johnson’16 was interviewed recently by Meryl Gottlieb for a story for the Athens Post about new developments in the Ohio University School of Theater’s dramaturgy program.  With the arrival of a new faculty member, Dr. Matthew Cornish, the whole dramaturgy program is going through an exciting revamp!

Aaron Johnson worked as a dramaturg this fall on Charles Mee’s play bobrauschenbergamerica at OU, directed by Dan Dennis.  The play is an experimental collage piece about the artist Robert Rauschenberg and the community that surrounded him and encouraged him.

In the MFA playwriting program, most playwrights dramaturg one production in the school of theater. Being a dramaturg on a production usually requires writing a program note and source book, attending rehearsals and being an advocate for the play.

Here is an excerpt from the article:

“Cornish said he mostly uses playwrights in the practicum because they should be asking the same kinds of questions about their own work that dramaturgs do of any work.  “As a playwright, it really helps me develop and focus on consistency,” said Aaron Johnson, the dramaturg for Fall Semester’s bobrauschenbergamerica and a second-year graduate playwright,. “Every good playwright should ask ‘What’s important in this world, and what’s the meaning behind it?’ Why am I writing it?’”

Click to read Full Article

Here is Aaron’s Program Note for bobrauschenbergamerica:

bobrauschenbergamerica is not a play about Robert Rauschenberg’s art come to life: his art is already life. For his “Combine” paintings from the 1950s and early ‘60s, Rauschenberg utilized found objects, mostly garbage picked off the streets of New York. Everyday items including cardboard boxes, oil drums, tires, bathtubs, street signs, and car doors permeate the paintings, leaping off the canvas and jutting out onto the floor. Rauschenberg repurposed the meaning of these objects, allowing spectators to experience them in a new way; his Combine paintings inhabit, as Rauschenberg said, “the gap between life and art.

Charles Mee’s play also works to occupy this gap, integrating found texts—just like Rauschenberg’s found objects. Mee samples works of literature, personal interviews, and stories from other writers to create the world of his play, taking passages from Walt Whitman’s Leaves of Grass, and quoting an interview with Phillip Morrison, an astrophysicist who inspired the character Allen. By mixing these found texts with Rauschenberg’s work, Mee creates a “collage” play: an expansive and diverse combination of images and ideas, some belonging to Rauschenberg, some belonging to Mee, some belonging to others, and some that just feel random, as if pulled from the trash.

So where does the gap between life and art lie? In the unexpected. In the everyday objects we take for granted. In noticing that things may be more significant than we first realize.

Share this:

  • Click to share on X (Opens in new window) X
  • Click to share on Facebook (Opens in new window) Facebook
  • Click to email a link to a friend (Opens in new window) Email
Like Loading...

“Casual Sex” Madness coming this Friday ;)!

  • February 9, 2015
  • by catherineforever666
  • · Current Students · Madness · News

The next madness of the semester will be produced by first year playwright, Catherine Weingarten!  Her prompt is “Casual Sex”!  In honor of Valentines Day, Catherine wanted the playwrights to explore a certain kind of intimacy,the sexy kind!

Catherine also says that audience members can dress to impress/bring a date 😉

Show is February 13th, 11pm, in the Hahne Black Box theater. Admission is free. We recommend you get there 45 to 60 minutes ahead of time to assure yourself a seat.

For more information about Madness the fall semester, check out our Madness page.

More about Catherine:

Catherine Weingarten hails from Ardmore,PA also known as the area that inspired the preppy sexy TV show “Pretty Little Liars.”  She recently graduated from Bennington College in Vermont where she studied playwriting(with the magical Sherry Kramer) as well as gender, mediation and environmental studies.  Her short plays have been done at such theaters as Ugly Rhino Productions, Fresh Ground Pepper, Wishbone Theater Collective and Nylon Fusion Collective. Her short play, “You Looked Hot When You Stole that Dress From Walmart” was voted favorably in the NYC LGBTQ “Fresh Fruit Festival” 10 minute play contest and received a revival at The Wild Project this past July as part of the official festival.  Catherine previously was a member of Abingdon Theater’s playwrights group as well as New Perspective Theater’s “Women’s Work” 2014 short play lab.  She is currently the playwright in residence for “Realize Your Beauty Inc” which promotes positive body image for kids by way of theater arts.   She wrote an educational play for them called “Bloom” about a chick getting kicked out of a yoga class for being not hot enough, which is geared for high school age kids.   Catherine is thrilled to pursue her MFA at OU and thankful for the awesome opportunity for baller mentorship.  catherine-weingarten.squarespace.com

Share this:

  • Click to share on X (Opens in new window) X
  • Click to share on Facebook (Opens in new window) Facebook
  • Click to email a link to a friend (Opens in new window) Email
Like Loading...
Page 18 of 23
  • 1
  • …
  • 16
  • 17
  • 18
  • 19
  • 20
  • …
  • 23

Create a website or blog at WordPress.com

  • Twitter
  • RSS
  • Subscribe Subscribed
    • OHIO
    • Join 61 other subscribers
    • Already have a WordPress.com account? Log in now.
    • OHIO
    • Subscribe Subscribed
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar
%d