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Tag: news

Catherine Weingarten has article on Howlround!

  • January 17, 2017
  • by catherineforever666
  • · Current Students · Essays · News

Current playwright Catherine Weingarten just wrote a piece for the theater website Howlround. The piece is called “Creating Complex Female Characters” and discusses female character tropes and ways to break away. It also gives a little bit of writing advice for people who want to make their female characters a little more dynamic!

Here’s an excerpt:

Here is the kind of female character I want to see onstage: the flawed female character, the complex female character, the hot mess in search of something better female character. I want to go to plays and see women who aren’t “perfect” or “strong” but have humanity. In my own plays, I tell stories about myself and the women in my life. I love writing female characters with flaws because that’s real. I don’t want to go to a play about some perfect chick who does her nails and fights crime and has no insecurities (just thinking about that makes me wanna sleep). I write plays about girls who make really really bad choices (like sleeping with their karate teacher or therapist) and then have to figure out what to do next. Also, writing flawed women is way more fun for actresses to play since they have some meat.

Read the whole thing here

 

More about Catherine

Catherine Weingarten hails from Ardmore, PA also known as the area that inspired the preppy sexy TV show “Pretty Little Liars” and is a NYC friendly playwright.  Catherine’s comedic plays delve into the societal pressure placed on young women to be both impossibly good looking as well as ridiculously intellectual, humble, kind as can be but sexy.  Her plays usually include some hot fantasy sequences which helps attract the common man into the theater!   She  graduated from Bennington College in Vermont where she studied playwriting with Sherry Kramer. Her 10 minute sex fantasy play “Pineapple Upside Down Cake” was a National Semi-Finalist at the Kennedy Center American College Theater Festival. Her full length playwriting credits include: staged reading of Are You Ready to get Pampered!? produced at the Dixon Place, Less Than Rent and Last Frontier Theater Conference Playlab series; staged reading of This Car Trip Suckss produced by Piper Theater Productions; and Karate Hottie produced by West of 10th in NYC.   She is currently the playwright in residence for “Realize Your Beauty Inc” which promotes positive body image for kids by way of theater arts.   Catherine is thrilled to pursue her MFA at OU and thankful for the awesome opportunity for baller mentorship.  catherine-weingarten.squarespace.com

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“Sequels” Madness coming this Friday!

  • January 17, 2017
  • by catherineforever666
  • · News

The next madness of the school year will be produced by first playwright, Trip Venturella!  His prompt is “Sequels” Madness!  He has asked the playwrights to explore change and succession. Here is an excerpt from his prompt:

Actually, I want to you to investigate sequels, successors, and seconds, to “translate”ideas that include passing the torch or carrying on a legacy. When you have two different things that occupy the same identity, one after the other, doesn’t that create conflict? What is the ripple effect when people encounter the sequel

The show is Friday, January 20th, 11pm, in the Hahne Black Box theater. Admission is free. We recommend you get there 45 to 60 minutes ahead of time to assure yourself a seat and seating is very limited this week again because of space limitations.

For more information about Madness the fall semester, check out our Madness page.

More about Trip:

Trip Venturella is a graduate of Colby College with a degree in Religious Studies. He has worked with Colby College’s Theater and Dance Department, the human rights group ANHAD: Kashmir, Delhi University in New Delhi, Floating Space Theatre Company in Sri Lanka, and many, many groups in the Boston area. He has done field work on Chams Dance in Sikkim and studied Chhau Dance in Delhi. He currently serves as the Development and Outreach Director of Apollinaire Theatre Company in Chelsea, Massachusetts, where he has overseen the conception of, fundraising for, and buildout of the Riseman Family Theatre and the Chelsea Blackbox Theatre, as well as the production of three years of Apollinaire in the Park: a free, outdoor, bilingual summer theatre production. His original musical “Killer Maples: The Musical!,” a collaboration with the composer Andres Ramos, was produced by Yelling Man Theatre in June of 2016.

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VIETGONE Among Finalists for 2017 Edward M. Kennedy Prize

  • January 14, 2017
  • by catherineforever666
  • · Awards · News

Qui Nguyen’s hit play Vietgone is among one of 5 finalists for the prestigious Edward Kennedy prize. It is one of the most financially generous awards given to new plays and previous winners include Hamilton and Detroit 67.’

Broadway world writes,”The Edward M. Kennedy Prize is given annually through Columbia University to a new play or musical that, in the words of the Prize’s mission statement, “…enlists theater’s power to explore the past of the United States, to participate meaningfully in the great issues of our day through the public conversation, grounded in historical understanding, that is essential to the functioning of a democracy.”

Congrats Qui!! We hope you win it!

 

Click here to watch a little video about Vietgone

More about Qui

Qui Nguyen is a playwright, TV/Film writer, and Co-Founder of the OBIE Award-winning Vampire Cowboys of NYC. His work, known for its innovative use of pop-culture, stage violence, puppetry, and multimedia, has been lauded as “Culturally Savvy Comedy” by The New York Times, “Tour de Force Theatre” by Time Out New York, and “Infectious Fun” by Variety.
Scripts include Vietgone (2016 Steinberg Award, 2016 LADCC Ted Schmidt New Play Award, 2016 Kennedy Prize Finalist); She Kills Monsters (2013 AATE Distinguished Play Award, 2012 GLAAD Media Award nom); War is F**king Awesome (Frederick Loewe Award); Soul Samurai (2009 GLAAD Media Award nom); Begets: Fall of a High School Ronin; Krunk Fu Battle Battle; Bike Wreck; Aliens vs Cheerleaders; and the critically acclaimed Vampire Cowboys productions of The Inexplicable Redemption of Agent G, Six Rounds of Vengeance, Alice in Slasherland, Fight Girl Battle World, Men of Steel, and Living Dead in Denmark.

 

 

 

 

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Philana has a short play going up in Texas this weekend!

  • January 13, 2017
  • by catherineforever666
  • · Current Students · Events · News

Philana Omorotionmwan’s short play “Carry Yourself with Confidence” is part of the 2017 Fade to Black Reading Series for black playwrights. These short plays will be performed tonight and tomorrow night in Houston.

Here is the blurb about it from their website:

“The Fade To Black Play Festival (created by Shabach Enterprise, a 501(c)(3) non-profit organization) has developed an exciting new platform! We are Houston’s first and only play festival to showcase the new works of Black playwrights!

Each year, as we bring more programs to life, the Fade To Black movement grows stronger! Within the span of five years we will have already produced the plays of almost 70 amazing playwrights and utilized the talents of our culturally diverse theatre community of local actors and directors.

Our new reading series is energetic, colorful, edgy and urban! Experience the movement of Fade To Black!”

Congrats Philana!!! Check it out if you’re in Houston!

 

Click here for tickets

 

More about Philana

Philana Omorotionmwan was born and raised in Baton Rouge, Louisiana. She uses writing to create images that explore the the intersections of race, gender, class, and sexuality. Her short plays have been produced at Ensemble Studio Theater, Manhattan Theatre Source, and Berkeley Rep. Her poems have been published in New Delta Review and African American Review. Philana earned her BA from Stanford University and is excited to be pursing an MFA here at OU. You can find out more about her work at philanaplays.weebly.com.

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“Trailer Park” Madness coming this Friday!

  • January 9, 2017
  • by catherineforever666
  • · Madness · News

The first madness of the spring semester will be produced by first playwright, Inna Tsyrlin!  Her prompt is “Trailer Park” Madness!

The show is Friday, January 13th, 11pm, in the Hahne Black Box theater. Admission is free. We recommend you get there 45 to 60 minutes ahead of time to assure yourself a seat.

For more information about Madness the fall semester, check out our Madness page.

More about Inna:

Inna Tsyrlin is currently pursuing her MFA in Playwriting at Ohio University after taking classes at HB Studio (New York City) and at Primary Stage (ESPA, New York City). Inna’s one act plays performed in New York City, include: I (heart) Subway (2014) and Happy Anniversary (2014) (Emerging Artists Theater: New Works Series); My Wife (HB Playwrights Foundation shorts series); Principal’s Office (semi-finalist of Manhattan Repertory Spring 2014 One Act Competition); Fat (Mount Carmel Theater Winter 2014 New Works program). Her one acts, Coffee and Murakami (2014) and Bentley (2013) have had staged readings as part of the Jack & Julie Project at HB Studio; while she has also had readings (2015) for Lama Theatre Company, and a reading of her full-length Animals (2015) in New York City. Apart from plays, Inna has written and produced shot films, reviewed Off-Broadway and Off-Off-Broadway play sfor stagebuddy.com, and contributed to Australian lifestyle publications. Her work tends to focus on exploring darker and unusual aspects of relationships and how these reflect in our current social and political environment, with particular attention to freedom and identity.

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Natasha Smith selected for Region 2 Conference!

  • December 21, 2016
  • by catherineforever666
  • · Current Students · News

Natasha Smith’18 will be going to the Region 2 Kennedy Center American College Theater Conference in New Jersey this January! Her 10-minute play “Tried” which was originally a Madness at our weekly short play festival, is one of the few plays selected for the conference. Congrats Natasha!! Go represent OU!

 

More about Natasha

Natasha Smith’s play Catapult was a semi-finalist for the Bay Area Playwrights Festival and received a staged reading with Arizona Theatre Company in 2014, where she served as the Artistic Intern for two years. She has also worked with Horizon Theatre and the Alliance Theatre in Atlanta. Natasha’s play In Her Place was produced at Amherst College, where she studied Theater/Dance and English, and won the Denis Johnston Playwriting Award from Smith College. She has taught creative writing in the US and in Kenya, and is a three-time recipient of the Roland Wood Fellowship from Amherst College.  www.natashawrites.com

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Qui Nguyen featured in Rolling Stone!

  • December 1, 2016
  • by catherineforever666
  • · News · Qui Nguyen

Qui Nguyen was just featured in Rolling Stone Magazine talking about what it means to be an immigrant in the U.S today and the importance of representation of minorities on stage.

Here’s a little excerpt:

“When playwright Qui Nguyen working on his play Vietgone four years ago, no one seriously thought Donald Trump would one day be the President of the United States of America. It was long before he descended his gaudy Trump Tower escalator to announce his candidacy and malign Mexican immigrants as criminals, drug dealers and rapists. But now Nguyen’s sexy, genre-busting “All-American love story” musical – which has its final performances this week in New York City – about how his parents met at a refugee camp in Arkansas in 1975 feels all the more vital in the way it addresses issues of race, immigration and female empowerment. Even though it’s a wild, enjoyable ride – complete with comic book tropes, kung fu fights and ninjas – he did create it to correct Asian and immigrant stereotypes.

Growing up, every Vietnamese narrative on the planet – from Platoon to Rambo to Miss Saigon – the main protagonist is always a white guy going to Vietnam and Vietnamese are the bad guys being shot at or the are the people who need saving,” he says. “I remember watching those moves as a kid, and I remember how shitty it felt feeling like the alien. They have no agency for their own narrative; all of the yellow characters are there to serve the white characters’ narrative. In Vietgone, I specifically wanted the Asian characters to be their own heroes.”

Read full article here Congrats Qui!

 

 

More about Qui

Qui Nguyen is a playwright, TV/Film writer, and Co-Founder of the OBIE Award-winning Vampire Cowboys of NYC. His work, known for its innovative use of pop-culture, stage violence, puppetry, and multimedia, has been called “Culturally Savvy Comedy” by The New York Times, “Tour de Force Theatre” by Time Out New York, and “Infectious Fun” by Variety.

Scripts include Vietgone (South Coast Rep, Oregon Shakespeare Company, Manhattan Theatre Club, Seattle Rep), She Kills Monsters (The Flea, Buzz22 Chicago/Steppenwolf, Company One); Begets: Fall of a High School Ronin (Waterwell); War is F**king Awesome (Sundance); Krunk Fu Battle Battle (East West Players); Bike Wreck (EST); Trial By Water (Ma-Yi Theater); Aliens vs Cheerleaders (Keen Teens); Soul Samurai; The Inexplicable Redemption of Agent G (Ma-Yi Theater & Vampire Cowboys); and the critically acclaimed Vampire Cowboys productions of Six Rounds of Vengeance, Alice in Slasherland; Fight Girl Battle World; Men of Steel; and Living Dead in Denmark.

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“Motherhood” Madness coming Friday!

  • November 14, 2016
  • by catherineforever666
  • · Events · Madness · News

The final madness of the semester will be produced by third year playwright, Rachel Bykowski!  Her prompt is “ Motherhood” Madness.

Show is November 18th, 11pm, in the Hahne Black Box theater. Admission is free. We recommend you get there 45 to 60 minutes ahead of time to assure yourself a seat.

For more information about Madness the fall semester, check out our Madness page.

More about Rachel

Rachel Bykowski was born and raised in Chicago.  She writes plays that examine the masks people wear to conceal their true identities to blend into society and explores the repercussions when the masks are ripped off.  Her work often includes proactive female characters that raise awareness to issues surrounding women. Rachel received her BFA in Playwriting from The Theatre School of DePaul University.  Her playwriting credits include her full length plays: Original Recipe produced by DePaul University; staged reading of Got to Kill Bitch presented by Cock and Bull Theatre in Chicago; and staged reading of Glory vs. The Wolves presented by 20% Theatre Company Chicago and hosted by Women and Children First Bookstore as part of an event to raise awareness about rape culture.  Her one act plays include: The Best Three Minutes of My Life produced by Bradley University; Break-Up Court and Pay Phone produced by 20% Theatre Company Chicago; The Invisible Onesproduced by Fury Theatre in Chicago; and She Sings For You produced and published by Commedia Beauregard in Chicago.  Rachel is also a proud company member of 20% Theatre Company Chicago.  She is very excited to continue her writing career and pursuing her MFA in Playwriting under the tutelage of Ohio University.  For more information about Rachel, please visit her website at www.rachelbykowski.com

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Rachel Bykowski is published on Howlround!

  • November 13, 2016
  • by catherineforever666
  • · Chicago · Current Students · News

Current student Rachel Bykowski has an original article on Howlround called, “Yes, All Men (Need To Listen): Making Rooms for Womanhood in American Theater” that explores why female playwrights need to be heard.

Here’s an excerpt:

“It’s really not surprising to see the gap between male and female playwrights when the majority of the gatekeepers to the American stage are men. A study by the Wellesley Centers for Women and the American Conservatory Theatre show that since 2013 women have never held more 27 percent of leadership positions for the American nonprofit theatre. The study goes on to note only fifteen women served as artistic directors or executive directors in the seventy-four LORT theatres.

With men in the driver seat of the American theatre, can we as women truly tell stories that may cast men as the bad guys? Or is the privileged fragility of the male ego silencing our voices and only allowing women to come along for the ride as long as we behave like good, little girls?”

Read full article here

Congrats Rachel!!

 

More about Rachel

Rachel Bykowski, a Chicago native, writes plays to raise awareness about social issues.  Specifically, much of her writing features women and analyzes gender roles, rape culture, and male privilege.  Rachel’s full-length play TIGHT END was selected by the National New Play Network to be workshopped at the Kennedy Center for the MFA Playwrights’ Festival. TIGHT END will be receiving its world premiere production with 20% Theatre Company Chicago in May of 2017. Rachel was one of six graduate students at Ohio University to be awarded a Named Fellowship, The Trisolini.  The Trisolini will allow Rachel to work with Ohio University’s Women’s, Gender, and Sexuality Studies department to research violence against women perpetrated by male privilege for the 2016-2017 academic year.  This research will be showcased in her thesis play VOODOO DOLL during the 2017 Seabury Quinn Playwrights’ Festival at Ohio University.   Other playwriting credits include her full lengths: ORIGINAL RECIPE workshop production (DePaul University,) GOT TO KILL BITCH staged reading (Cock and Bull Theatre,) GLORY VS. THE WOLVES staged reading (20% Theatre Company and Women and Children First Bookstore,) and A GIRL NAMED CHARLIE staged reading (Ohio University).  Rachel’s ten minute plays have been produced with various companies around Chicago and the Midwest including 20% Theatre Company, Fury Theatre, Commedia Beauregard, and Actors’ Theatre of Louisville Apprentice Company.  Rachel received her BFA in playwriting from the Theatre School of DePaul University and is currently attending Ohio University for her MFA in Playwriting. Rachel is a proud company member and Literary Manager for 20% Theatre Chicago.  For more information, check out her website www.rachelbykowski.com

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“Daddy Issues” Madness coming back this Friday!

  • October 31, 2016
  • by catherineforever666
  • · Madness · News

Third-year MFA playwright, Catherine Weingarten, shall be producing “Daddy Issues” Madness this week in honor of Dad’s weekend!!!! 😉 She is bringing back a prompt that got cancelled last year because of a snow storm.  In her prompt she ask many questions like “why this term is so catchy” and “Can your parents really screw you up for life or just a little, like in a sexually appealing way?”

The Madness show is November 4th,  11pm, in the Hahne Black Box theater. Admission is free. We recommend you get there 45 to 60 minutes ahead of time to assure yourself a seat.  Also if you have a reservation, make sure to show up at 10:45 to get your seat.  She also says bring a date cause it’s probably gunna be a sexy night of theaterrr🙂

For more information about Madness this spring semester, check out our Madness page.

 

More about Catherine

Catherine Weingarten hails from Ardmore, PA also known as the area that inspired the preppy sexy TV show “Pretty Little Liars.” Catherine’s comedic plays delve into the societal pressure placed on young women to be both impossibly good looking as well as ridiculously intellectual, humble, kind as can be but sexy.  Her plays usually include some hot fantasy sequences which helps attract the common man into the theater!   She recently graduated from Bennington College in Vermont where she studied playwriting(with Sherry Kramer) as well as gender, mediation and environmental studies.  Her short plays have been done at such theaters as Ugly Rhino Productions, Fresh Ground Pepper, Wishbone Theater Collective and Nylon Fusion Collective.  She is currently the playwright in residence for “Realize Your Beauty Inc” which promotes positive body image for kids by way of theater arts.   Catherine is thrilled to pursue her MFA at OU and thankful for the awesome opportunity for baller mentorship.

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