Buzz 22 Chicago’s synopsis of GHOST BIKE: Ora and Eddie fell in love with Chicago on their bikes. But when Eddie is hit by a car and killed, Ora refuses to let him go. Instead, she rides beneath our city to bring him back, facing off against underworld gods and ghosts -some interested in helping her, some determined to get in her way. The more difficult her journey becomes, the more Ora must question what it is she’s journeying towards. In Ghost Bike, Chicago culture skitches off of Greek, African, and Chinese mythology, sparking a spirited mash-up of underworld and after-life as seen from the seats of fixies, BMX’s and ten-speeds.
Ghost bikes can be found in Chicago and in cities all over the country. Learn more about them at http://ghostbikes.org/chicago.
From their website: “Ghost Bikes are made from bikes and bike parts which are no longer rideable, painted all white, and installed where cyclists were killed by motorists. They are grim but necessary reminders of the hazards cyclists face on our roadways. They remember the victim and raise awareness of the need to combat reckless and aggressive driving and fix our streets to be safer for all users.”
Laura Jacqmin’s Do-Gooderis starting to rack up a lot of good reviews. This week’s Timeout Chicago gave it 4-Stars.
Gwen Purdom writes: (I)ts Jacqmin’s subtle script that leaves the lasting impression. In a play that ponders whether goodness comes from a life of privilege or passion, this is one story that’s far more compelling than its ordinary cover would suggest.
OU MFA Alum, Mark Chrisler, had a play run at this year’s Rhinofest in Chicago. The Chicago Reader’s, Zac Thompson, highlighted Chrisler’s play “Phones, Frauds, and Fakes.”
In Chrisler’s Phonies, Frauds, and Fakes, the writer-performer reads from a script while seated at a table, Spaulding Gray style. What starts as a witty lecture on history’s biggest lies soon morphs into the fascinating story of Chrisler’s four-year involvement with a girlfriend who turned out to be a pathological liar. As he relates how he fell for one whopper after another, Chrisler is insightful on self-deception and the way great liars exploit our willingness to believe what we want to believe, even when the truth is staring us in the face.